Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.

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Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.

Preiss had the rare chance to salvage a selection of 8mm reeled from his archive; 30 years after it was first shot, this lovingly refashioned material returns as…a luminescent ode to the friends, filmmakers and artists with whom Preiss lived and worked during this time.

Follows the adventures of a group of friends, teddy boys and rock and roll chicks whose crazy, fun-loving habits inspire jiving from some of Rome's citizens, and bitter complants from others which inspire a group of corrupt officials determined to a bring the group down.

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Documentary exploring the meaning and history of cool through the American music that started in the 1940s in the bars of New York and LA, and became known as cool jazz.

A woman diagnosed with a brain tumor falls in love with her doctor.

This documentary includes performances of legendary jazz trumpeter Chet Baker joined by Michel Graillier and Red Mitchell on piano and Jean-Louis Rassinfosse on bass. Also, an interview with Baker is included.

Chet Baker plows a uniquely individual furrow in the field of jazz. His trumpet playing is beautifully delicate and takes standard ballads into hitherto unexplored emotional territories. Here Chet is accompanied by Michel Grailler on piano and Riccardo del Fra on bass. Two of Chet's admirers also guest star here: Van Morrison and Elvis Costello.

The pilot, co-pilot, and crew of a bomber try to hit a Korean bridge in bad weather.

Bruce Weber's making-of documentary for his portrait of Chet Baker, LET'S GET LOST.

Documentary about the birth of bossa-nova, in Brazil, and the major stars of this musical style.

The story of a light ray falling from a music note. It's also a tribute to a musician... It's the music of a legend, the portrait of a romance. Not long before his death, on November 25, 1987 Chet Baker plays "I'm a fool to want you" for the camera of a parisian studio.

This performance by legendary jazz horn player Chet Baker was recorded in Tokyo, Japan on June 14, 1987, and features such classics as "Stella by Starlight," "My Funny Valentine," and "I'm a Fool to Want You." Accompanying Baker in the performance are Harold Danko on piano, Hein van de Gein on bass, and John Engels on drums.

A collection of varieties numbers from various night clubs.

Chet Baker features two concerts by the foremost interpreter of the West Coast school of cool jazz. Filmed in Europe 15 years apart, these two shows seen together provide an overview of Baker’s illustrious career. The first show is a haunting 1964 performance in a Belgian TV studio with a quartet including long-time sidemen saxophonist Jacques Pelzer and French pianist Rene Urtreger. Songs include the Miles Davis classic, “So What,” and the jazz standard “Time After Time” (a very rare rendition featuring Chet’s “Cool” vocal style.) The soulful1979 set from Norway, with a trio featuring vibraphonist Wolfgang Lackerschmid, highlights the growth and maturity of this troubled but inspiring artist.

This long unavailable performance in Sweden by Chet Baker in his late period presents the trumpeter in a very relaxed mood, playing at a television studio and pakced only by piano and bass (no drums!). Chet performs most of the tunes comfortably seated on a sofa, as if he were in his own living room. The program displays a combination of some of his most famous tunes and a couple of lovely standards, such as Bud Powell's "Tempus Fugit" (which Baker had only previously recorded twice before) and his friend Bob Zleff's "Sad Walk". For the last part of the performace, renowned bassist Red Mitchell comes onto the set for a short but insightful interview with Chet Baker. Later, both play a sweet duet version of "My Romance" with Mitchell returing to the first instrument he learned to play: the piano. Recorded at the Sonet Library, Stockholm, Sweden, June 30, 1985.

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