The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

The student rowing team of the Moscow Aviation Institute (MAI) was defeated in the competition. The coach drops the team and leaves, taking the best rowers with him. The remaining athletes decide to assemble a new team, and the management of the institute appoints a new coach for them — a teacher of hydrodynamics.

A female poet and author faces the harsh realities of a besieged Leningrad. Based on Olga Berggolts' memoir of the same name.

In 1812, as Napoleon's army invades Russia, Kutuzov asks Bolkonsky to join him as a staff officer, yet the prince requests a command in the field. Pierre sets out to watch the armies' impending confrontation. As the Battle of Borodino rages, he volunteers to assist in an artillery battery. Part three of the four-part adaptation of Leo Tolstoy's 1869 novel.

A group of young men bursts into a hotel where several guests are already staying, not long after they had run over a motorcyclist and his passenger with their car. Brandishing a knife, they demand that the guests give them a car.

A story about Soviet women and their village set during the years after WWII.

It is a screen version of an Indian national fairy tale. Malicious and greedy rajah wishes to get a wonderful antelope who strikes gold coins by hoofs. The country boy rescues an antelope, but rajah, threatening the boy, compels the antelope to serve him but he is severely punished for it.

Lipa and Vera had been friends since childhood. Now, having finished their boarding school, each of them faces her own path in life. Tormented by poverty, Lipa is forced to marry the old, dull, and cruel Tolokonnikov. However, she cannot bear the tyranny of the cowardly official for long. Leaving her husband, she departs from Rasteryaeva Street. Vera's life turned out differently. Fleeing with a hussar, she spent several turbulent years, but, exhausted, she returned once again to Rasteryaeva Street. And nothing had changed there.

The film was based on the story of the same name by A. Yakovlev about the most famous pioneer of the thirties of the last century, who was inscribed in the history of the pioneers under number 1.

The hero saw among his colleagues a man whom he had met during the war in the dungeons of the Gestapo. This man reported that a thief from the same cell was trying to escape. The “thief” was shot, and later it turned out that he was the leader of the underground...

My Universities is the last installment of Russian director Mark Donskoy's "Maxim Gorki" trilogy. Having endured a painful youth in My Childhood and a torturous sojourn as a serf in My Apprenticeship, future writer Gorki reaches maturity with an insatiable desire for personal and artistic freedom. Gorky goes to work in the shipyards and commisserates with the hard-drinking, philosophical dockworkers.

Eugénie Grandet is set in the town of Saumur. Eugénie's father Felix is a former cooper who has become wealthy through both business ventures and inheritance (having inherited the estates of his mother-in-law, grandfather-in-law, and grandmother all in one year). However, he is very miserly, and he, his wife, daughter, and their servant Nanon live in a run-down old house which he is too miserly to repair. His banker des Grassins wants Eugénie to marry his son Adolphe, and his lawyer Cruchot wants Eugénie to marry his nephew President Cruchot des Bonfons, both parties eyeing the inheritance from Felix. The two families constantly visit the Grandets to get Felix's favour, and Felix in turn plays them off against each other for his own advantage.

Based on a satirical short story by Fyodor Dostoyevsky concerning the escapades of a Russian civil servant.

Faith Vans, an employee of one of the departments of the US State Department, receives a summons to the commission to investigate un-American activities, and her prosperous, calm life begins to collapse. But Faith doesn't give up, and she fights for her rights.

In the focus of the film is the fate of Varvara Basova, whose painfully soulless, philistine-gray existence, devoid of ideals and moral content. Relevant today, the picture sounds like a verdict to all who are mired in vulgarity, who have exchanged life for petty pleasures, profit, empty philosophizing.