No synopsis available yet.

Tang Sanzang and his disciples travel west in search of Buddhist scriptures, but demons and temptations constantly disrupt their journey. From Gao Family Village to the Cave of the Spider Demons, Zhu Bajie's worldly desires repeatedly throw the group into danger, forcing him to join Sun Wukong in facing one crisis after another. A key Taiyupian work by Lee Hsing, the film extends the comic energy of Brother Wang and Brother Liu Tour Taiwan into the fantastical world of Journey to the West.

No synopsis available yet.

In a tiny Chinese fishing village, two rival fishermen compete for a young woman's love. She does love one of them, but as she is obligated to the other, she cannot marry him. Tragedy is averted when the one she is obliged to falls in love with another. Happiness briefly ensues as the men, with their respective mates, resume their friendship. Unfortunately, they set out to sea and disappear.

Northeastern China is infested with bandits. Hsiao Kai (Paul Chang Chung), a wandering knight, captures a white horse from thieves. His skilful handling of the horse earns his admiration of fellow traveler Chu Ching Hsu (Wong Chung Shun). They arrive at Lo Lung Kow, where the villagers hunt for a living and are constantly terrorized by bandits. Grocer Ting Tze Pao (Ngai Ping Ngo) returns from his negotiations with the bandits with bad news. They intend to collect furs from the villagers at a fixed price. Village leader Mu (Yuen Sam and his daughter Tsui Ying (Pat ting Hung) run a tavern. She wonders how the white horse belonging to a Sinkiang youth named Sha Yi Ti (Man Ling) is now in the possession of Hsiao Kai.

Dr. Ho decides to move to a backward island off the coast of Taiwan to look for his missing father. He meets nurse Ya Lan (Cheng Pei-Pei) who falls in love with him. But dastardly doings are afoot as Dr. Ho's enemies plot against him.

San Mei Zheng Lang

Brother Wang and Brother Liu Disturb Opera Troup

Hui Pui-ching, a gentle and fragile woman, endures relentless abuse from her violent husband Fan Pak-nan. By chance, she meets Ha Mon-hin, a cultured and compassionate businessman trapped in his own loveless marriage. Drawn together by loneliness and understanding, their relationship unfolds quietly along seaside walks, where a simple purple shell becomes a symbol of tenderness and fragile hope. As suspicion, jealousy, and blackmail close in, their impossible love spirals toward devastating consequences.

Spy films had always been popular in Chinese-language cinema, with stories set mostly in WWII or the warlord era. The Tender Trap of Espionage, made two years before Dr. No (1962) which kickstarted the Bond film craze, is a story of intrigue between spies and counterspies within the Japanese Occupation force. The film was shot in Taiwan, offering unique visages, with cat-and-mouse mind games set in motion against trust, betrayal and seduction. Based on the British film The Two-Headed Spy (1958), future action maestro Chang Cheh wrote the script while husband-and-wife team Lo Wei and Lau Leung-wah star together as agents, with Lo doubling as director.