In the south of Sweden, some farmers get into trouble when the German Count is forcing them to perform day labor for him. But a man refuses to bow to the German Count.

When his ancestors seem to appear in the clouds during a storm of biblical proportions, young Ingmar decides to give up his career as the village teacher and to reclaim the land and farm of his fathers. The same stormy night, the charismatic preacher Helgum arrives in the village to spread the word about the promises of the Holy Land, which turns parents and children, men and wives, brothers and sisters, against one another. Ingmar is torn between his love for the headmaster’s daughter Gertrud who is under the preacher’s spell, and the prospects of marrying the judge’s daughter Barbro in order to keep the farm.

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

The criminal couple Louise Kent and Charles Zukor stages a coup in the luxury restaurant Oriental. In the midst of a dance number goes suddenly all the lights out. In the confusion that arises one of the elegant guests is deprived of her jewelry.

Love triangle between the big farmer, a farmhand and his sweetheart.

When Ingmar Ingmarsson marries Barbro Svensdotter there's a big party with many guests. But the bride and groom are unhappy.