Saramandaia is a Brazilian telenovela originally written by Dias Gomes in 1976. It's considered remarkable because of the Magic Realism (used by the author to subtly criticize the Military Regime of the time) and had 160 chapters. The story centers on the name change that the city undergoes, promoted by the younger citizens and reviled by the older ones. It also focuses on the lives of the city's quirky residents.

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No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Zenon Ziembiewicz comes back to his hometown after graduating from the university in Paris. He gets entangled in a love triangle with educated young lady Elzbieta and a common country girl Justyna who gets pregnant.

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A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.

Eduardo wants to become a police reporter. To do so, he unravels a mysterious crime, but fails to get the editor of his newspaper to promote it. He is engaged to Suzy, who works at a nightclub. In charge of interviewing a famous actress, June, gets involved in several embarrassing situations that are created by Suzy and two other reporters, Harry and Steve, who follow June since her arrival in Brazil.

After Cláudia, haunted by her husband’s death on a car crash, starts a romance with another man, she starts receiving threatening letters.

The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

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Delfino, a quiet man who lives in Congonhas do Campo, a small historical town in the state of Minas Gerais, Brazil, is urged by his friend to steal the image of the Madona de Cedro (the Cedar Madonna), sculpted by Aleijadinho in the 18th century, from the town sanctuary.