Golden Lotus is based, in part, on Jin Ping Mei, a famous erotic novel of ancient China. Li Han-Hsiang adapted part of the story into this film, which starts with Hsi Men Ching, a successful merchant, wooing Pan Chin Lien, the beautiful wife of one of the townspeople.

An old man of the village tells kinky ghost stories to a few of it's inhabitants after all the kids have gone to bed. What follows are stories that have horror elements and some soft-core nudity thrown in.

Incriminating evidence against a gang is left in a cab when a gang member dies in it. The gang chases the innocent cab driver, who receives help from the dead gangster's sister - a tough police woman.

Two stories are included in this erotic/romantic anthology. In the first, a Sung-Dynasty (10th-13th century) Buddhist monk is tricked into sexual relations with an unscrupulous female adventurer. He dies soon after with his misdeed on his conscience. In the second, the daughter of a woman who died in a brothel discovers that her mother died an unnatural death and seeks revenge.

This Category III period drama featuring power struggles and naughty things within the imperial palace walls definitely has effort put forth but immense chunks of plot holes are nowhere near filled up. Much seem missing in the story of poor Ru Yee who applies to be the nurse maid of the Emperor’s son. She gets help to gain access by Wei (Tan Lap-Man) and soon they are both heavily involved inside the palace. She as the nurse maid and he as a eunuch in training. Wei also finds time to murder Ru Yee’s sick husband and child… a fact barely mentioned after it’s happened.

Lee Khan, a high official under Mongolian Emperor Yuan of the Yuan dynasty procures the battle map of the Chinese rebel Chu Yuan-Chang's army. Rebel spies, aided by treachery within Khan's ranks, strive to corner him in an inn.

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Three young martial arts brothers, played by Chi Kuan-chun, Alexander Fu Sheng and Leung Kar-yan, go in search of fellow patriots dissatisfied with Imperialist foreigners and wind up joining a rising sect of the Boxers, led by an opportunistic conman. Named as such for their use of martial arts, these boxers are revolutionaries who believe that spirits protect their bodies from foreign guns. They even dupe the Empress Dowager, who gives them her royal blessing to fight the foreigners.

No list of the screen's comic geniuses would be complete without Michael Hui Kwun-man. He created a hilarious and lovable comic persona that was both uniquely Asian but also universally beloved. This, his first film, not only showcased his incomparable sense of humor but revolutionized Hong Kong comedy. Evoking Chaplin, he plays a warlord in early 20th Century China, but makes the role his own with both laughs and some of the sexiest ladies on the Shaw Brothers lot.

A golden-masked clan master, who had killed many top fighters, was determined to acquire an invincible sword manual so as to rule the martial world. Hence, he pursued a swordsman who possessed the manual, but the latter managed to escape and discovered a cave whereby he met two martial arts masters who taught him the invincible sword skills...

Innocent girls are lured to Hong Kong and trapped in a prostitution ring.

This story is centering around a Ming Dynasty brothel that steams with secret erotic myths, trysts and twists of pleasurable indulgence. A shaw production

The morale of the army is low as the countess sets out to overthrow the enemy army..

Filial daughter seeks revenge on father's killer. She must associate with dishonest people to finance her mission.

Set during a period of depression, the film chronicles the daily lives of a single urban building split up into several separate units, and the actual people that dwell within.

Pao-yu is in love with his cousin, Lin Tai-yu, but his family has other marital plans for him that will leave both broken-hearted.

It starts out in rip roaring fashion, with our heroine (genre veteran Chiao Chiao) watching an out of control man rip the bodice from a struggling farm girl. Incensed by this brutality and no doubt offended by the film's one and only topless scene, she rams her fist through a brick wall and kills the man with her distinctive 'dragon blow'. Enter the film's male hero, her brother, who scolds his sister for using this deadly and forbidden weapon. The story then commences in earnest, as brother and sister end up protecting a poor orphan girl who has a valuable jade necklace that a nefarious criminal syndicate is desperate to obtain. Much mayhem ensues, though the film remains chaste and relatively bloodless after its promising beginning.

A misguided youth falls into the bad company of an underground brothel syndicate but redeems himself on discovering that his mother was murdered by the syndicate's female boss.

When a young man ignores a feng shui master’s warning and decides to marry before turning 30, a series of mishaps begins to curse his life.

Li Han-hsiang, one of the most experienced and respected filmmakers in Hong Kong, wrote and directed this charming and fascinating comedy of amorous complications and modern morals in the very middle of his forty year career. The two cities are Macau, where a love quartet is the source for sexy merriment, and Hong Kong, where a gambler tells a charming woman why there are four shackles hanging from his apartment ceiling!