In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

Arati takes a job as a door-to-door saleswoman in Calcutta's wealthy neighbourhoods, in defiance of her traditionally-minded husband, Subrata, and his live-in parents. Emulating her Anglo-Indian friend Edith, who speaks equal to the men she encounters on the job, Arati quickly becomes her firm's top salesperson. When Subrata loses his job, the power dynamic begins to shift.

When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golap Colony, he decides to probe into the case with the help of his close aide, Ajit.

A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.

The luggage of Dr. Pratul and Minu get swapped during a train journey. When Dr. Pratul, who is a psychiatrist, looks into the luggage, he develops a keen interest in knowing more about Minu.

A man mistakenly invites a family, whose girl was (and is still) betrothed to the groom. It was he who set up the cousin's alliance, would the girl forgive him, whom he had fallen in love? How to prevent her from attending the marriage?

Difficulties erupt between a couple when their relationship gets hit by societal pressures, norms, and deep-rooted patriarchy.

Darpa, a cunning man, asks Rajkumari to pretend to be Princess Rajkanya Chandralekha so that he can keep all her riches for himself. However, when she realises the truth, she ensures all his plans fail.

Hathat Dekha is a 1967 Bengali comedy-drama film directed by Nityananda Datta. The film featured Soumitra Chatterjee, Sandhya Roy, and Jahor Roy in the lead roles.

Another call on "I Married a Dead Man" but with a change- the family hated the DIL and didn't want her, but wanted the child, the heir. The woman and the child had been attacked and couldn't live apart. Aditya's grandparents mistake Kanak for being the other woman in his life and blame her for his death. Kanak develops a strong bond with Aditya's son and everyone accepts her in the family.