The 4th NHK Asadora. Starring Michiko Hayashi as a woman born in poverty who lives a brave life. She lost her husband in war and now must take care of their 5-year-old child alone. Adapted from the novel of the same name by Fumiko Hayashi.

A shikakenin was an under-the-cover trade that undertook killing in Edo. Hanemon of Otowa, an agency that introduced laborers and maids, was also one of these. Katsugoro Iseya was a timber dealer who had come in as a client. His target was the constructions magistrate Hanno, and the Tatsumiya who sipped on the benefits. Hanemon who had a stong code towards killing, where he would only kill those who do no good to be in the world, accepts this request. Baian Fujieda, a needle doctor would carry out the killing. However, the professional killer Baian fails to bring down Tatsumiya. Hanemon then looks to another shikakenin, the ronin Sanai Nishimura for the role. Although Sanai's ability with the sword is good, he lives poorly in a tenement, and accepts this commission on the condition that it is kept a secret from his wife and child. Here, they close in on Hanno and Tatsumiya again...

No synopsis available yet.

Two guardians of the Nijo Castle, Shioya and Kamazawa, discover a map leading to a secret passage to Edo Castle. Instead of reporting their find to local authorities, they decide to blackmail the lords who created the forbidden passage. To prove their crime, Magistrate Toyama Kinshiro launches a private undercover investigation.

It's an extravaganza of entertainment as famous magistrate in disguise, Toyama no Kinshiro attempts to confront the elusive thief known as the "Long-Sleeve Burglar". Played to the hilt by Misora Hibari in a delightful performance highlighted by singing, dancing, and swordplay with a unique story within a story twist that starts to unfold in the city jail as a playwright is brought into custody and meets the famed Long-Sleeve Burglar himself. Misora Hibari is totally captivating in this gender bending role as the famed thief whose expoits can only be stopped by the great Kin-san himself!

Kyoshiro rescues Shizu who was being abused by her husband, even since she had been violated by the man posing as Ieyoshi. He then learned that Ieyoshi had been acting oddly ever since returning from Kyoto six months ago. Sir Fumiya's investigation of the O'oku (Shogun's harem in Edo Castle) uncovered the plot and reported that Sir Higo-no-Kami had been controlling the fraud. That's when Kyoshiro heads to Kyoto to find clues...

Early film by Eiichi Kudô.

No synopsis available yet.

Bloody Account of Jirocho: Duel at Fujimi Pass

Young geisha Kohana scrambles to realize her dream of bringing back her grandmother’s restaurant business.

Produced by Shochiku’s all-star cast as a commemorative film to mark the completion of the “Shochiku Kaikan” in Tsukiji, Tokyo, this movie introduces both the Shochiku Ofuna and Kyoto studios. Part One focuses on the studio’s behind-the-scenes staff: set designers, prop masters, and lighting technicians. Part Two presents a digest-style overview of the process surrounding a young woman who auditions for the “New Faces” program, from the auditions to her debut as an actress.

«Japanese Masterpiece Ghost Story Theatre» - is a 13-episode series based on classic Japanese ghost stories.

Chubei, the adopted son of an Osaka courier, falls desperately in love with the courtesan Umegawa. To prevent a wealthy client from purchasing her, he steals money from his employer to buy her freedom himself. Now hunted criminals, the lovers flee toward Yamato, pursued by the law.

While on the road, famed Yakuza Boss Jirocho is falsely accused of starting a peasant's uprising and chased by the law. Meanwhile, one of his henchmen in an attempt to raise money for the Boss gambles away not only all their funds, but their clothing as well. Jirocho, famed for his honesty and integrity must take on the challenge of rival gangs while trying to elude the government's officials at the same time. Things really heat up when the most famous of all Yakuza Bosses, Chuji of Kunisada gets involved. Will he team up with his old friend or is gang warfare about to erupt?

Shinzō, the heir of the prominent Edo lumber dealer Yamashiroya, left home when his stubborn father, Chōzaemon, dismissed his lover, the maid Oyasu. Shinzō and Oyasu set up a household near a soba shop in Fukagawa, but Shinzō struggled financially, turning to gambling and fighting, while Oyasu worked as a tea server in a theater, constantly harassed by a small-time gangster, Rikichi, for cigarette money. The only ones concerned about Shinzō and Oyasu were Shinzō’s sister, Omitu, and her dance teacher, Oyoshi. Later, Shinzō managed to get a job at another lumber dealer, but after a conflict with the detective Hansuke, who was also infatuated with Oyasu, Shinzō accidentally dropped lumber into the river and was fired. Unaware that Oyasu had borrowed money from a bar to repay the lumber dealer, Shinzō left to earn money in the Mito clan's crew quarters and ended up rescuing Rikichi from a dice game trouble.

One of the great stories from Japan’s rich history comes to life in this true tale of the bloody showdown between two rival yakuza gangs in the 1840’s. The battle between Boss Sukegoro of Iioka and Boss Shigezo of Sasagawa has been portrayed many times, most notably in the first Zatoichi film, where the blind man befriends the tubercular ronin Hirate Miki, before cutting him down in one of the great duels in cinema history. This all-star extravaganza pulls out all the stops, with appearances by virtually all of the great actors and actresses from Toei’s studio at the time. Ichikawa Utaemon’s portrayal of the kind-hearted, noble yakuza boss Shigezo of Sasagawa contrasts sharply with the devious Sukegoro of Iioka. Corrupt as he may have been, his men were all willing to give up their lives for him.

The death of a samurai in a palanquin leads girl detective Oshichi to take action to crush a plot to overthrow the Shogunate.

On February 4th of the 16th year of the Genroku era, Yatō Uemon no Shichi reminisces while waiting his turn for seppuku at the Mizuno residence. When news of his lord, Asano Naganori, attacking Kira Yoshinaka in the palace reached Akō, Uemon no Shichi was sixteen. The family elder, Ōishi Kuranosuke, determined to avenge, gathered allies, but Uemon no Shichi's father, Chōsuke, being sickly and considered too young, was not included. Chōsuke committed suicide.

No synopsis available yet.

In the eleventh year of the Tenpō era, the Kawarazaki-za theater in Edo buzzed with excitement for a new production of "Kanjinchō" by Naritaya, featuring music by the master Kineya Rokusaburō. However, Naritaya's requests to change some of Rokusaburō's most painstakingly crafted parts of the composition angered his disciple, Shinjirō, leading to a conflict and Shinjirō's abandonment of the shamisen. One day, Shinjirō was captivated by the mysteriously beautiful dance of Oaki, a traveling performer's daughter, who seemed to be channeling her art into a form of revenge.