When the US Navy fleet docks at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister, Connie. But it's not all smooth sailing—Bake has a habit of losing Sherry's jobs for her and, despite Connie's dreams, Bilge is not ready to settle down.

A baby is passed from hand to hand after her father abandons her.

Rose Pierce is discontent with her life as the wife of a small town plumber and has visions of becoming a wealthy socialite. Consequently, when her smart aleck son Sammy hears that an electric railroad line is to be built through town, she decides that the family can become rich by purchasing the lots along the right of way. Patriarch George Pierce laughs at the idea, but when Rose and Sammy learn that Cora Stewart, the wealthy town widow, has withdrawn her savings from the bank, they jump to the conclusion that she is interested in buying the lots, and mother and son secretly invest the family bank roll in the land.

Glamorous and efficient Helen Murphy runs a service that will provide any type of assistance to wealthy customers, but what she's really looking for is a man who can take care of himself.

An eccentric heir must marry a widow in order to collect the millions left to him in his aunt's will, so a suicidal neighbor agrees to marry the man's young fiancée before offing himself.

Two screwy characters travel to Hollywood and cause mischief.

Jimmy Hanley learns that his former dancing partner has been killed, leaving a baby boy Sandy, so he takes the baby to live with him and his roommate Boris Bebenko. Theatre manager Allen Rand threatens to fire Jimmy for neglecting his work, but Jimmy's girlfriend Diana squares things by going to dinner with Rand over Jimmy's objections. Sandy catches measles and the quarantine causes Jimmy and Boris to miss a big audition.

Romantic rivalries between father and son enrolled at the same college.

In this crime drama, the owner and chief editor of a newspaper gets together with two college pals and begins looking into the strange death of an old hermit who lived on the fringe of town.

Newlyweds Bret (Tom Brown) and Margie (Nan Grey) both aspire to show-biz careers: he wants to be a songwriter, while she is desirous of becoming a radio scripter. Inevitably, Bret and Margie quarrel and break up, only to be reunited by their efforts to snag "banana king" Gomez (Mischa Auer) for a lucrative radio contract. The old 1920s tune "Margie" is heard throughout the proceedings, frequently fitted out with ludicrous new lyrics ("Bananas! We're Always Thikin' of Bananas!" etc.) by a zany songwriting team (Eddie Quillan and Wally Vernon).

Police detective Lanny resents the ongoing interference of the local FBI branch. Hoping to show up the feds, Lanny tackles a baffling espionage case. Things heat up when reporter sweetheart Ollie is framed for murder.

Two rival newspaper columnists battle over whether or not a woman murdered her playboy husband.

Join vocalists broadcasting from the Biltmore Bowl in Los Angeles.

Frankie Kelly, pageboy at the beauty salon ran by Madam Celeste, and his helper Jefferson find the routine broken when the body of one of the operators, Florence, is found in the dumbwaiter. She had been shot just before she was to give Detective Dan Haggerty information about a blackmail gang. Since Mary Baker, Frankie's girl friend saw her last, she is suspected, and Frankie determines to clear her using his own sleuthing methods. He has hardy begun when Pierre, another member of the staff, and Florence's fiancée is found dead.