A Las Vegas team of forensic investigators are trained to solve criminal cases by scouring the crime scene, collecting irrefutable evidence and finding the missing pieces that solve the mystery.

The Philadelphia homicide squad's lone female detective finds her calling when she is assigned cases that have never been solved. Detective Lilly Rush combines her natural instincts with the updated technology available today to bring about justice for all the victims she can.

Sergeant “Pepper"” Anderson, an undercover cop for the Criminal Conspiracy Unit of the Los Angeles Police Department, poses undercover from mob girl to prostitute.

Adam-12 is a television police drama that followed two police officers of the Los Angeles Police Department, Pete Malloy and Jim Reed, as they patrolled the streets of Los Angeles in their patrol unit, 1-Adam-12.

Barbary Coast is an American television series that aired on ABC. The pilot movie first aired on May 4, 1975 and the series itself premiered September 8, 1975; the last episode aired January 9, 1976. Barbary Coast was inspired by a similar 19th-century spy series, The Wild Wild West, and like the earlier program, Barbary Coast mixed the genres of Western and secret agent drama.

Joe Don Baker plays a gambler who is framed for a crime he did not commit. A corrupt legal system leads him into a plea bargain and four years behind bars. By the time he gets out of prison, he's determined to put together the pieces of his frame-up and dole out the justice he was denied to those responsible.

W.W. Bright is a robber with a heart of gold who travels the South knocking off banks and gas stations owned by a corrupt businessman. When he hijacks a car, he meets an aspiring country band, the Dixie Dancekings, led by Dixie. The two sides eventually take a liking to one another, especially after the Dancekings realize the size of Bright's thefts. Trailed by religious zealot cop Deacon Gore, Bright helps the band make it big while on the run.

Two brothers have a plan on how to rob the Ceasar's Palace in Las Vegas. They join a motorcycle gang and while the others are drinking and partying outside of town, they change their clothes and head off to rob the casino. Of course, the police do not look for two well dressed criminals among the Hell's Angels.

Raising the subtext of "Fight Club" into text, "Shiner" depicts a pair of amateur boxers gratified by punching each others' lights out. Theirs is among a trio of twisted love stories in the narrative feature by 29-year-old Los Angeles director Christian Calson. There's also a woman literally fighting her male lover's affections and another boxer who stalks his own shy male stalker. "Shiner" transcends sadomasochism in that no one seems aware of what he or she is doing. "I'm trying to look at desire head on," the soft-spoken Calson said by telephone. "('Shiner') is about the politics of wanting and being wanted and how people respond differently." Rife with ugly behavior, "Shiner" rejects the trend of queer filmmakers seeking straight understanding. "In L.A., we have this kind of sadness we carry around, that the only way we can make gay stories is by making more like 'Will and Grace,' " Calson said. Like the activist-filmmakers tackling the marriage issue, Calson went into "...