Jan is a boy growing up in 1930s Siam in a wealthy, dysfunctional family where sex has a huge impact on everyone's lives. Jan is viewed by his father as cursed, since his mother died giving birth to him.

Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.

A time-travel adventure that takes place during the Cold War when a US military base in Thailand was testing the Taklee Genesis, a warp-speed teleporter even though it had not yet been fully developed. After the war, the Taklee Genesis was left behind in Thailand and was being illegally used by someone.

In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

In Thailand, an illegal immigrant from Myanmar with a mysterious skin rash, his girlfriend, and her friend visit the doctor's before spending the afternoon on individual and collective adventures.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

A story about director Apichatpong Weerasethakul’s parents who were both doctors, and his memories of growing up in a hospital environment.

Jenjira, a Thai widow, travels to the ancient Buddhist temple Sigiriya in Sri Lanka to scatter her husband’s ashes. As her visions blur time and space, she is swept into a journey through across dimensions.

A group of students discovers a mysterious phone number that grants their wishes. But they quickly learn their new-found luck has deadly consequences.

A recreation of an event to commemorate the presence of the dead and the decayed memories of the living, of filmmaking

Shifting between fact and fiction in a hotel situated along the Mekong River, a filmmaker rehearses a movie expressing the bonds between a vampire-like mother and daughter.

Six directors, six independent films, six visions on the state of the world. Each carrying a unique and personal interpretation of a specific experience, their crossover creates new space for a dynamic and radical inquisitive reflection.

One of the ingrained rituals in Thai society is the blessing automatically given before certain ceremonies and events such as the playing of the Royal Anthem in movie theaters before feature presentations. This short presents a "Cinema Anthem" which comically praises and blesses the feature to come.

A diary of the time Apichatpong Weerasethakul visited a newlywed couple near the Mekong River.

A gang of local thugs come in and start roughing up the customers and get abusive with the daughter. Suddenly, an elaborately coifed and tastefully dressed woman shows up and rescues the young woman and her father from further harm. This is Iron Pussy.

Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.

Diseases and a Hundred Year Period is a film-tract that comes to us from Thailand. It is directed by Sompot Chidgasornpongse, Weerasethakul's assistant on several of his films (including Syndromes and a Century), in reaction to the censorship of Syndromes and a Century in Thailand.

No synopsis available yet.

Glistening objects from a jewelry collection inspired by carnivorous plants are transformed into a colourful sea of garden creatures through hand-drawn animations of roots, insects and various other organisms. A loving tribute to Weerasethakul's mother's garden. Commissioned by Dior; first presented at Musée de l’Orangerie, Jardin des Tuileries, Paris, to mark the opening of a new set of jewellery designed by Victoire de Castellane, 27 February 2007.

A woman lies awake at night. Nearby, a set of theatre backdrops unspools itself, unveiling two alternate landscapes. Upon the woman’s blue sheet, a flicker of light reflects and illuminates her realm of insomnia.