Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.

Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.

Samuel, a boy who lives with his mother Elena in Villa dei Laghi, an isolated manor surrounded by woods, feels trapped in the family routine, growing up seemingly protected, but unsatisfied and restless.

Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.

While on the run from the police, an unlikely companionship blossoms between a funny con man who just broke out of jail, the bumbling cop whose car he seized at gunpoint, and a nitpicking civilian he unwittingly took hostage.

The rumpled owner of a dry-cleaning firm joins forces with a nun to care for an abandoned baby.

Angela, Luisa, and Carlina are three roommates who live in a house in Milan. Maurizio, Carlina's eccentric cousin, joins the group after waking up from a coma after 20 years. His arrival is crucial to the household's finances and the girls relationships.

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No synopsis available yet.

No synopsis available yet.

The apparently quiet lives of four milanese bourgeois couples become intertwined

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Among the many odd jobs Matilda, a provincial girl, takes on to make ends meet is playing the role of a princess in historical costume reenactments. But when she finds herself pregnant, her boyfriend Pietro refuses to take any responsibility. Matilda then decides to have an abortion, with the help and support of her friend Anna, a fashionable painter who sees her as a reflection of herself. And thanks to Anna, she also comes into contact with Andrea, a wealthy young man whose family boasts noble origins. As if by fate, the role she plays in the reenactments begins to come in handy in a new, far more engaging fiction.