«Secret for a Million» is a game show for celebrities. Guest stars win money for disclosing personal secrets. Guest has to answer 10 hardball questions from the host. The last question is the hardest one and a truthful answer will be awarded by 1 million rubles. Only the most honest and brave of the guests dare to answer it telling the ugly truth they hid from their fans for years.

Every week Pavel Volya, together with invited guests — stars and ordinary people — will sum up the past week in the best traditions of TNT. Viewers will be treated to a discussion of the most interesting events of the past week, interactive events with celebrities, absurd contests, unexpected musical experiments and much more.

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No synopsis available yet.

No synopsis available yet.

The Voice is a Russian singing competition television series broadcast on Channel One. Based on the original The Voice of Holland, it has aired twelve seasons and aims to find currently unsigned singing talent contested by aspiring singers, age 17 or over, drawn from public auditions.

Fabrika Zvyozd, sometimes known internationally as Star Factory, is a popular Russian television talent show that aired on Channel One from 2002 until 2007. It was the Russian version of the Endemol format Operación Triunfo.

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No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The Voice Kids is a Russian reality television singing competition broadcast on Channel One. Based on the original The Voice Kids of Holland, the concept of the series is to find currently unsigned singing talent contested by aspiring singers, age 6 to 15, drawn from public auditions.

A romantic parable based on real events. He and She are lovers who want to unite their fate by marriage. But by the will of fate, the lovers get into an accident and find themselves on an island washed by the sea of Uncertainty.

An unofficial sequel to the movie "Ivan Vasilyevich Changes His Profession". The events take place on New Year's Eve 1997-1998, 24 years after the events of the movie. According to the plot, the main characters (Shurik, Bunsha, Zina and Ulyana Andreyevna) are going to celebrate New Year's Eve, and the engineer Alexander Sergeyevich Timofeev (Shurik) decides to present his recreated (and modernized) time machine to the guests. Having gone to the XVI century, they find there an aged Georges Miloslavsky, who has been sitting as regent for 25 years instead of Ivan the Terrible, who has run away; the Tsar was so inspired by the profession of Zina and Yakin that he decided to try his hand at filmmaking and went to "Mosfilm" instead of the Tsar's chambers. In an effort to correct the disruption of the course of history, the heroes re-engage the time machine and travel back to the 1970s in search of the Tsar, who dreams of becoming an actor.

Anything can happen on New Year's Eve, even the most incredible. For example, your girlfriend can forget about her star career and return to her boyfriend. Or suddenly you can receive an SMS invitation from an unknown number to a party in the apartment of complete strangers...

A young man lives in a small town outside of space and time. One day, his measured life is disrupted by a musical group that comes on tour. Once at the concert, the main character realizes that this is exactly the kind of music that haunts him...

A Baba Yaga's grand-daughter gets into the argument with the young son of Kashchey and decides to leave the magic forest.

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Very dreamy boy who is also a young poet, met a fairy who gave him the ability to do good in PE (specifically high jumping) with a condition that he will not say lies; once he commits a smallest lie, his abilities are gone...

With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.