Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

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Seven high school friends reunite after 20 years. Memories of the past and coincidences of the present reveal the secrets and affections that bind the women and their families.

The soap opera told the story of Fernando Dalba, or Nando, a fruit vendor who works with his mother, the Baroness, and his friends Gino and Guiomar. His life changes after he meets the wealthy widow Cristina Guimarães, owner of a beauty salon, who decides to teach him how to behave like a man of high society. Cristina's intention is to win a bet, but she falls in love with Nando, who is engaged to Candinha.

O Bem-Amado is a Brazilian telenovela that first aired on Rede Globo in 1973. It is based on a play by Dias Gomes called Odorico, o Bem-Amado ou Os Mistérios do Amor e da Morte, written in 1962. It was the first Brazilian color telenovela. It was shot in Rio de Janeiro. Broadcast by Rede Globo between January 22 and October 3, 1973.

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Betão is a countryman who works in a circus, selling peanuts. His daughter also works there, and becomes the circus's greatest attraction. But she decides to marry a rich man, and another circus comes to town, putting his employment in danger.

Sumuru, the beautiful leader of the all-female kingdom of Femina, plans to use her women to take over the world.

Marquinhos (Lúcio Andrey) lives in the Rocinha favela, in the city of Rio de Janeiro. He gets involved with Débora (Priscila Assum), a young woman from the upper middle class with whom she starts to face adult life and several difficulties that try to separate them.

Three English women on vacation in Brazil shake the structures of a Brazilian bourgeois family, but while one of them finds love, the other two are disappointed in flirting.

Lampião's gang raids a farm just as the wedding of Antônio Saraiva and the Baroness's goddaughter is being prepared. In the shootout, Lampião's brother, Ezequiel, is killed, and in revenge, Lampião burns the Baroness alive and orders the bride to be beaten. Upon arriving at the farm, Antônio discovers everything and vows to follow the gang's footsteps to hell. The cangaceiros continue their atrocities, robbing, killing, and looting, until a priest places a curse on Lampião. The curse transforms into the avenging figure of Antônio, who acquires supernatural powers. He meets Lampião during Maria Bonita's birthday party, and a life-or-death duel ensues.

Unemployed, penniless in the big city and after accidentally stealing and killing his landlady, Antonio flees Rio de Janeiro towards Northeast of Brazil to find his mother. On the way he meets a beautiful woman and a pair of criminals.

"Lula, 'bon vivant' who subsists at the expense of small blows, goes on with his life without a present or future purpose. Basically, he just tries to forget having been abandoned by his fiancee Helena, who gave in to his father's imposition. The situations in which he gets involved from then on are paradoxical, trying to survive in the best possible way and spending money he doesn't have, but which comes to him in one way or another. On a day of complete despair, Lula meets a group of "hippies" and leaves catechized. Willing to anything, he becomes a preacher of new customs and new ethics of life. In turn, Helena, whose marriage had failed, dreams of meeting Lula again, hoping to return to his arms.

A couple of freelance explosives experts find jungle adventure while being stalked by a revolutionary leader and a diamond hunter.

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Three segments with stories about the sexual relationships between adolescent boys and the maids who work at their homes.

The film chronicles both the life and work of Brazilian author and engineer Euclides da Cunha and a failed attempt at directing his biopic in the 1980s and 1990s. Footage from the unfinished film is included alongside archive and documentary material.

The documentary addresses the stereotypes that imprison both men and women, the prejudice against women at the time and the need to legalize abortion to avoid the damage caused by illegal abortion.

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