Five friends head out to rural Texas to visit the grave of a grandfather. On the way, they stumble across what appears to be a deserted house, only to discover something sinister within. Something armed with a chainsaw.

A young woman learns that she has inherited a Texas estate from her deceased grandmother. After embarking on a road trip with friends to uncover her roots, she finds she is the sole owner of a lavish, isolated Victorian mansion. But her newfound wealth comes at a price as she stumbles upon a horror that awaits her in the mansion’s dank cellars.

The Freelings' suburban home becomes the center of paranormal activity that opens a portal to the 'other side'. With help, they must cross over to get their daughter back.

An examination into the nature of 1960's-70's horror films, the involved artists, and how they reflected contemporary society.

Robert A. Burns, art director on the original Texas Chain Saw Massacre, was obsessed with actor Rondo Hatton aka the Creeper. Burns was average looking but brimming with odd creativity. Hatton, who suffered from acromegaly, had a strangely unique appearance, but was a regular guy. In Rondo and Bob their two stories intersect.

Two thieves rob a large fancy house when the owner is away. But when a visitor mistakes them for the owner, and they find out about a casting party mis-scheduled for that day, they decide to stick around for the fun. There's only one small problem, a little glitch in their plan. The real owners owe some bad dudes a lot of money, and they show up to collect.

By way of an unnatural urge during her Mother's funeral, Susan enters her family's mausoleum, which unleashes an evil presence to lurk inside of her.

A documentary primarily focusing on the filming and release of the original Texas Chainsaw Massacre.