No synopsis available yet.

Sisters Yoshie and Kikue are two Geisha who are abducted by a mysterious organization to be transformed into murderous cyborg assassins.

The film depicts carnivalesque atmosphere summed up by the cry "Ei ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Tokyo Imperial Palace, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.

Set against the background of a giant newspaper company. A girl reporter on the staff of the newspaper witnesses the accidental killing of one of the top executives, whose wife is having an affair with the head of the company.

After serving 10 years in prison for murdering a rival boss, Tetsu is appalled to see his yakuza family overgrown and dysfunctional upon his release.

After his company goes bankrupt, Katsuji Watanabe resorts to pickpocketing again with his old swindler buddies. However, one by one, his friends start getting caught. Katsuji decides to play a high stakes game of robbing the proceeds of a department store.

No synopsis available yet.

Soichiro Ishizuka, the head of a prestigious Tokyo textile company, lives a comfortable life with his wife and three daughters. Their current family focus is securing a good marriage for their middle daughter, Yuko, since their eldest has already wed the man chosen to inherit the family business. However, their domestic routine is upended when an old school friend arrives with somber news: another former classmate, now a ceramic artist in Kyushu, is terminally ill with cancer.

A beautiful girl, Yōko, gets lost one night during an air raid and is taken in by an orphanage. Eventually, she is reunited with her own family and goes home to live with them. But there, an unexpected fate awaits her as she is subjected to horrific brutality from these people who are tortured by a past mistake.

No synopsis available yet.

Akuma-kun was adapted into a live action TV movie by Toei Company, three years before the anime. It aired on September 15, 1986 as part of Fuji TV's Monday Drama Land, which also previously aired a TV movie adaptation of GeGeGe no Kitaro. Akuma-kun's name is Shingo Itō.

After marrying off one daughter, a widowed father struggles with loneliness and the changing lives of his children. While his younger daughter falls in love with a charming but controversial man, his older daughter remains emotionally tied to a former lover who has since married. As tensions over marriage, independence, and family expectations grow, the family is forced to confront the gap between traditional values and modern relationships in postwar Japan.

Five fellows are taken by the police for bank hold-ups.

Rainbow Over the Pacific is a tale of romance that moves from the streets of Tokyo to the islands of Hawaii as it weaves the story of two star-crossed lovers--Hideo (Yukio Hashi), an aspiring photographer from Japan, and Reiko (Jun Mayuzumi), a beautiful Sansei Cherry Blossom contestant from Hawaii--who are drawn together by destiny, yet appear to be fated to be apart. Will the sun set on their young love, or will it be the dawn of a new relationship?

Comedy about two employees who work against their boss.

1966 Japanese movie

A young surgeon and a nurse working at a hospital fall in love, but numerous trials stand in their way.

1969 Japanese movie

The story of the desperate struggle between the police and a large crime syndicate.

Kitamori Yuki was particular about her promise to her mother-in-law Hana. The promise is that, as the daughter-in-law of Koichi, the eldest son of the Kitamori family, Hana entrusts everything to Yuki, but wants her entire family to come see her on her birthday. At that time, her second son Keisuke's daughter Megumi, who is her private taxi driver, made a mistake, and she was overwhelmed and approached Yuki for advice. Eventually, her mother Kayo of Megumi learned about this, but a period was quietly struck by her women coming to a conclusion that should be the food for Megumi's growth.