A friend group of black women face life's tests and triumphs together. From dating to divorce, and friends to family to relationships, Joan, Maya, Lynn and Toni support each other despite their differing backgrounds.

An examination of the life and legacy of Sly & The Family Stone – the groundbreaking band led by the charismatic Sly Stone – that captures the band's reign while shedding light on the burden that comes with success for Black artists in America.

Highlights boy bands and their rise — and fall — to fame, from The Beatles to Jackson 5 to the Jonas Brothers and One Direction, as well as the K-pop group Seventeen.

A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.

All American Girl is a 2003 reality competition that started with 45 females vying for the title of the same name. In the first episode the field of 45 is cut down to 15 by means of a talent show competition and obstacle course. At the talent show and obstacle course, three coaches decided who the 15 finalists would be. After the 15 finalists were decided, the coaches picked five girls to be on their team for the whole series. During the series, the three teams went through a training camp to train them in a vast array of disciplines that included athletic ability, mental agility, performance in the popular arts and beauty. Each week some of the contestants were cut from the competition until there were only six contestants, followed by another cut down to a final three. The winner was decided by viewer phone voting. Jessica Felice, a native of Gahanna, Ohio, won the competition. The program started on ABC in midseason 2003, but due to low ratings, ended on the cable network ABC Family with marathons and tie-in programming in an attempt to salvage the series.

This 53-minute television special retraces Michael Jackson’s rise from child prodigy with the Jackson 5 to global superstar of the 1980s. Combining rare archive footage, music video excerpts, concert clips, and interviews with collaborators, it showcases the milestones of his career up to the Bad era. Narrated in documentary style, the program highlights Jackson’s artistic evolution, humanitarian work, and cultural impact. Originally broadcast on television in 1988 and later released on VHS, it serves as both a career retrospective and a portrait of his enduring influence on pop music and entertainment.

THE BLACK LIST: VOL. 2 profiles some of today's most fascinating African-Americans. From the childhood inspirations that shaped their ambitions, to the evolving American landscape they helped define, to the importance of preserving a unique cultural identity for future generations, these prominent individuals offer a unique look into the zeitgeist of black America, redefining the traditional pejorative notion of a blacklist.

A star-studded tribute (from the creators of That's Entertainment) to the contributions of Afro-Americans in film over the last century. Vanessa Williams traces the struggles and triumphs of the superstars of music and film. Among the many artists featured are: Whitney Houston, Ella Fitzgerald, Sammy Davis Jr., Diana Ross, Michael Jackson, Cab Calloway, Bill "Bojangles" Robinson, Ella Fitzgerald, and Little Richard, Also included are today's contemporary superstars: Snoop Dogg, Ice T, Quincy Jones, Spike Lee, Russell Simmons, and many, more! 80 minutes plus DVD bonus features.

Oprah interviews Michael Jackson, broadcast live around the world from his home, Neverland Valley Ranch.

With his signature gospel sound on the Hammond B3, Billy Preston doublehandedly elevated the greatest artists of his time – from the Beatles to the Rolling Stones, from Aretha Franklin to Eric Clapton, from Ray Charles to Barbra Streisand to Sly and the Family Stone. In our film, we explore Billy's career and influence on generations of musicians, as he scored several number one hits of his own and became one of the most sought-after musicians in the world. He did all of this as a soul divided -- by his deep roots in the church, in constant conflict with his identity as a gay Black man, searching for a family of his own that would accept him for who he was.