Spoed is a Belgian action drama TV series produced in the Dutch language in Belgium since 2000. The series is also shown on both Flemish/Belgian TV and Dutch TV. The series is directed by Johan Thiels and Guy Thys. The series has produced 217 episodes to date. It may be compared to the American TV programs ER or Chicago Hope.

'De Kotmadam' was a classic Flemish comedy television series, that aired from 1991 to 2024, meaning the show is the longest running Belgian sitcom in terms of time and amounts of episodes and seasons. The series revolves around Jeanne Piens, who owns a small sweet shop in the centre of Leuven and rents out several rooms of her house to students studying in the city. She is a caring type and loves all her students. Her husband Jef Liefooghe works for the city's gardening department. Except for the last season, their friend Odilon Bonheur, a naïve warden in the local prison, visits regularly to give or seek help.

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Witse is a Dutch language crime drama produced by Belgian broadcaster VRT and broadcast on their één channel. It is also shown on BVN. First broadcast in 2004, as of 2010 the programme comprises eight series with a ninth and final series planned for 2012. It stars Hubert Damen as the eponymous Witse, a driven inspector in the Belgian federal police based in Halle. It is one of the most popular Flemish television programmes with some 1.6 million viewers. There are also Witse books. The first three were based on the last two episodes of each season, but since 2010 every six months a brand new story is published, written and invented by established Belgian writers, as Bob Van Laerhoven and Bart Van Lierde. The music for Witse is composed by Steve Willaert.

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Guy Moeyaert is a well-meaning colonial official in a jungle district of the Belgian Congo in the last years of white colonial rule, after the Second World War, a paternalistic system where the state, unable to be properly present all over the vast, sparsely populated country, collaborates systematically with the Roman Catholic missions -in his post, father Alexis- and private enterprise, in case mainly the mining company -locally represented by engineer Lenaers- which also helps out with money and labor for such public tasks as road building. Even his grip on the natives is weak, as they live under hereditary tribal leaders, which must take from its people what they are legally obliged to deliver to the state in taxes and labor; coercion is done by force, including whipping on the bare buttocks, which Guy hates. Guy also starts a love affair with Hélène Vermarcke, who gets estranged from her husband Luk (the three were already friends in Belgium) as he devotes all his efforts the their plantation, leaving her alone with the native staff and their son, or is it Guy's? The adultery makes his position in the white community far weaker then is compatible with his position of theoretical authority without sufficient independent means. He also depends heavily on his educated black clerk Gabriel Ndazaru and ambitious white deputy Arthur. It all gets worse for everybody as the call for 'dipenda', black independence as in Ghana, gets stronger, in time even accepted 'in principle' by the Belgian government which plans a gradual transition which the idealist Guy supports but all other whites oppose, while the natives have neither patience nor insight and start attacking every symbol of the old regime, regardless of its objective value, and soon white people and 'collaborators' too- it gets physically dangerous, but Guy won't budge or flee...

The story of how Hendrik Conscience became one of the most important Flemish writers is told through a series of flashbacks to his childhood and adolescence.

An oversized courthouse, in the heart of Brussels, would hide an initiatory journey. A secret passage would lead the members of a sect composed of politicians and architects who destroy Brussels to build a utopian city.

Karen, Kristel and Kathleen start working on their dream house. What they don't know is that a valuable locket is hidden somewhere in the house. Only Gazpacho, a tough guy of international caliber, knows about the existence of the medallion. He will not rest until it's in his possession. But Karen, Kristel and Kathleen will never let that happen, no matter how hard they have to fight...

A Flemish bourgeois family in 1920 is dominated by three wealthy aunts who constantly threaten to disinherit them. When their daughter Eggers falls in love with the gentleman farmer Flack, a bon vivant, the aunts want to quell this passion by any means necessary.