Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Staatsanwalt hat das Wort was an East German television series.

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This five-part East German biographical drama chronicles the life and religious reforms of Martin Luther, the 16th-century monk who sparked the Protestant Reformation. Produced by DEFA Studios for East German television to commemorate Luther's 500th birthday, the series follows Luther from his early protests against the Catholic Church's sale of indulgences in 1517 through his translation of the Bible.

200 years ago, innkeepers Jette and August Deibelschmidt led a rapacious life. Out of greed, they repeatedly got their guests drunk in order to steal from them. When police commissioner Friedrich Wilhelm Licht tried to put them out of action, the house caught fire and all three died. In his last words, he curses the pair of thieves, saying that they will not find peace until they have done seven good deeds after 200 years.

The film concentrates on the last days of the German navy during World War II.

Susanne is a young single mother who lives a somewhat "carefree" lifestyle. After quitting her job, she finds herself in trouble financially and attempts a minor insurance fraud to make ends meet. Despite its rare view of everyday socialism from a woman's perspective, East German officials were critical of this frank portrayal of a less-than-ideal socialist citizen and turned down all invitations for the film to be screened abroad.

After a breakdown, Rita returns to her childhood village in 1961. As she recovers, she remembers the past two years: her love for the chemist Manfred, ten years her senior; how his enthusiasm about his new chemical process turned to bitter disappointment in the face of official rejection; how he escaped to West Berlin a few weeks before the Wall was built and hoped that she would follow him …

East Germany 1978. Karoline and Robert, teenagers who used to live in the same house until Robert's family moved, meet again at this year's holiday-camp. First love, first nude experience, first self-made theatre performance of "Romeo and Juliet". A look at the east-German youth in the late seventies.

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Maja Wegner is in her late thirties and a single mother of a teenage daughter. To give her stale life a new direction, she decides to start all over again in the big city. She sells her house in the countryside, quits her job, and moves with her daughter to Berlin. There, she finds a job as a conductor for the railroad company. Although Maja soon finds new friends in her apartment building, the search for a new life partner does not come off so easily.

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In the GDR, purchasing a car was such a difficult process that many families applied for one years in advance. For example, Gisela secretly orders a Wartburg model after the birth of her first child. By the time the vehicle is ready, her daughter is a teenager, and Gisela's husband, who actually prefers walking, has already bought a second Wartburg from a friend in financial trouble. As a result, the couple decides to sign up for driving school together.

Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.

Orphaned Julius flees bombed Berlin and meets freed communist Kaiser. Together they rescue a starving circus horse and join a Soviet‐run traveling show featuring a hungry lion. After adventures defending the horse with local girl Ulrike, the pair head back to Berlin.

Fritz Weineck, a worker′s son from Halle, loves music – and dreams to make a living out of it one day. When his friend Alfons, a World War I veteran, gives him a trumpet as a gift, Fritz seems to come closer to fulfil his dream. But then, Fritz realizes that after the end of the German empire workers still have to desperately fight for their rights, and decides to use his instrument for political means: At a meeting of militant workers, he uses his trumpet as a signal horn. But Fritz suffers a severe setback when a comrade dies in the fight for an arms depot because of his fault.

Wolfgang is a bully, but overall he‘s not a bad guy. However, not everyone in Thuringia, where he goes to school, is sympathetic to him and his buddies. His daring adventures often go too far - up to and including stealing three bottles of liquor. Meanwhile, the new head of the boarding school knows how to use the undisputed skills of hooligans for the common good. Together with them he founds the "Cabaret of Debaucheries". With sharp jokes and music, they now pounce on slackers, slackers and drunks - and in the process slowly change for the better.

On a forest road in the Brandenburg March, village teacher Potsch accidentally encounters the distinguished Professor Menzel, who got stuck there in his car. In the conversation that ensues, Menzel and Pötsch quickly discover that they both are great admirers of the early 19th-century writer Max von Schwedenow who was born in the area.

This tragic love story relates ten decisive years in the life of the great Romantic poet Friedrich Hölderlin, played by a young Ulrich Mühe.

Susanne and Christian get to know each other during a wonderful week in summer - and fall in love. This, however, leads to conflicts: up to now, Susanne has been living with Wolfgang, a biologist. This shared life was harmonious and based on mutual trust. Wolfgang is not only resolute and in full command of social situations; he has also always been the stabilizing force in the relationship. This is precisely why Susanne now feels drawn to the unsettled, unsteady and frivolous Christian, the complete opposite of the calm, well-balanced Wolfgang. And Christian, working as a shift boss on a natural gas derrick, has become more aware of his personal and social responsibilities as a result of loving Susanne.