Koko, Brewster and Wilson are three young, adventurous trainee "chuggers", learning about working on the railway in the town of Chuggington, with the help of the railway controller, Vee, the older engines, and their human friends.

In 1840s England, palaeontologist Mary Anning and a young woman sent by her husband to convalesce by the sea develop an intense relationship. Despite the chasm between their social spheres and personalities, Mary and Charlotte discover they can each offer what the other has been searching for: the realisation that they are not alone. It is the beginning of a passionate and all-consuming love affair that will defy all social bounds and alter the course of both lives irrevocably.

After taking his young son Roddy to a remote Northumberland village, Peter Greenbank meets a violent death, leaving the boy alone with no family to speak of. Roddy is adopted and raised by Kate Makepeace, a good friend of his father’s, and develops a close friendship with Hal and Mary Ellen. But their sibling bond is put to the test as they mature. The hidden secrets of the past are painfully unearthed as their lives are intertwined by a tragic destiny.

It’s a dark, stormy night. The stars are out. Jim, the inn-keeper’s granddaughter, opens the door to a terrifying stranger. At the old sailor’s feet sits a huge sea-chest, full of secrets. Jim invites him in – and her dangerous voyage begins. Robert Louis Stevenson’s story of murder, money and mutiny is brought to life on the Olivier stage in a thrilling new adaptation by Bryony Lavery.

In the unstable aftermath of a civil war, Creon, the new King of Thebes, asserts his authority by forbidding anyone from honouring the death of the traitor Polyneices. But Antigone, Polyneices' sister, will not obey. When Creon's authority is challenged, a gripping conflict emerges between the power of an individual and the state. Polly Findlay's electric 2012 production brings Sophocles' tragedy into the modern world as a gripping political thriller.

Following Caesaras assassination, Mark Antony has reached the heights of power. Now he has neglected his empire for a life of decadent seduction with his mistress, Cleopatra, Queen of Egypt. Torn between love and duty, Antonyas military brilliance deserts him, and his passion leads the lovers to their tragic end.

Returning home from battle, the victorious Macbeth meets three witches on the heath. Driven by their disturbing prophecies, he sets out on the path to murder. This contemporary production of Shakespeare’s darkest psychological thriller marks both Christopher Eccleston’s RSC debut and the return of Niamh Cusack to the company.

The decay of Rome reaches violent depths in Shakespeareas most bloody play. Titus is a ruler exhausted by war and loss, who relinquishes power but leaves Rome in disorder. Rape, cannibalism and severed body parts fill the moral void at the heart of this corrupt society. Shakespeareas gory revenge tragedy presents us with murder as entertainment, and, as the body count piles up, poses questions about the nature of sexuality, family, class and society.