A short documentary showing the political approach and practices used to address Oslo’s housing problem in the years after the war. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

The film describes how resistance fighter Knut Magne Haugland operated an illegal telegraph station on the roof of the National Hospital in 1944 during World War II.

Lieutenant Colonel Brusefjær, a highly regarded "administrative officer" from his time in London, is a man with a keen eye for everything that goes on around him, especially suspicious individuals. But now he wants to relax, and together with his grandson Lille-Bertram and his caretaker Ole Gliset, he mans the houseboat Caroline 11 and travels to Hankø. The police have just received alarming reports of widespread smuggling – probably based in the outer Oslo Fjord – and a trusted investigator, Reidar Nissen, is sent on vacation to Hankø.

Radio personality Rolf Kirkvaag, playing himself, is appointed to design an apartment to be given out as the main prize in a lottery. He is in over his head, but is assisted housewife consultant Eva Lund. The third in a series of Norwegian commercial compilations addressed to "the modern housewife".

A new hotel has been build in Oslo, and lies in the middle of the city like an adventure castle. **** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

A documentary covering the 1952 Winter Olympics in Oslo, Norway.

Jordal Amfi was an indoor ice hockey stadium that was built in Oslo, to host the 1952 Winter Olympics. This film shows how the arena was being prepared, to it was finished and opened in 1951 for said Olympics. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

From the time the island of Langåra was a summer home for Oslo's population. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Shows footage from King Haakon the 7th arrival in Norway in 1905 to the beginning of the space age.

A short film about driving. Traffic scenes from Oslo, including Rådhusplassen. The actor Rolf Kirkvaag explains and sits behind the wheel, demonstrating the situations in practice. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.