Film tells about one day the King went to all the people of the jungle clearing . In the middle of the jungle there was a very thick clump sewers . The army was clearing sewer , but when it cleared sewer regenerate. People tried to slash it again sewer but still the situation is still the same . When the king saw this, he himself tried to cut down the sewer , the sewer successfully cleared out all arrive until the middle of the sewers .

Based on a bangsawan story by stage veteran M. Babjan, ‘Mas Merah’ concerns the titular character who is daughter to a family with two feuding wives. Her mother is Mak Merah, who shares a husband (Pak Sagai) with Mak Gelam. Unfortunately, the pair of mothers are not on good terms with each other, often resorting to verbal abuse and catfights to settle their differences. The animosity and resentment get so far as to incite Mak Gelam to injure and kill Mak Merah. After her mother’s death and accusations of impropriety against her, Mas Merah is forced to leave her family and kampong to seek refuge in the wilderness. There, she meets Awang Sulong, a prince who is born and raised in the forest as a consequence of the king’s blind belief in the slander of his mother Puteri Mayang Mengurai. Together, they seek to do good and reverse the atmosphere of lies and betrayals clouding the kampong and the royal court.

'Sri Tanjong' tells the story of the plight of Tanjong and her younger brother Atan, who are orphaned after their mother passes away and are forced to move in with their stepfamily. They are despised upon by their stepmother who abuses them, making Tanjong handle all the household chores, and chastises Atan at every opportunity. Despite the maltreatment, Tanjong performs her tasks with diligence and prepares snacks for her brother to sell in the kampong, but she suffers the humiliation of a lecherous crook. Atan is eager to learn after watching a class in session teaching the Jawi alphabet, but is scolded for outsmarting his half-sibling. Tun Setia, a visitor from afar, sympathises with the waif siblings and desires to help them. He is determined to rid the kampong of crooks and pirates, and bring justice against the wicked.

Raja Bersiong, the Fanged King, is a cannibal monarch in the Kedah epic literature Hikayat Merong Mahawangsa (HMM). A king with an intense appetite for human blood that over time he grew fangs and began attacking his own people to feast on them.

The film tells of the coming of Islam to the Malay Peninsula and the acceptance of local residents.

Dupa Chendana film is a film classic melayu published in black and white. This film was issued by Malay Film Productions Limited. The film was directed by Ramon A. Estella

Amran (Aziz Jaafar) is a fugitive on the run after being implicated in the activities of a crime syndicate. He is wanted for an alleged murder he did not commit and goes into hiding with the help of Pak Busoh (Haji Mahadi). However, gang members of the syndicate turn up at his place of hiding and he makes a run again to seek help from his sultry club singer friend Noridah (Sarimah). Just when Amran finds it harder to escape the syndicate’s trap, Major Anwar (Ahmad Mahmud) of the police comes to his rescue.

Workers at an Eveready battery factory are disgruntled because their wages are low compared to a neighbouring factory. The factory manager exploits the workers’ rising discontent by colluding with a traitor within the workers’ ranks to instigate a strike in the factory, part of a devious ploy to take over the factory from the benevolent but incapacitated factory owner/boss. The colluders create dismal working conditions and make use of every opportunity and incident to raise the call for a strike, to sour industrial relations in a bid to close the factory down so that they can coerce the boss to hand over ownership.

The story of a princess who was sworn into the black since childhood. He is destined to marry a prince and lived in the palace. But disliked by her mother in law

The film's story revolves around the tragic love affair between Kassim Selamat, a poor musician, and Sabariah, the only daughter of a wealthy woman. The movie is notable in that the opening act starts out as a light-hearted romantic comedy, but at the 30 minute mark turns into a dramatic tragedy. Like a number of P. Ramlee's works, the film criticizes the unofficial caste system that separates the wealthy from the poor.

Lela and Manja are two siblings who are being abused by their stepmother, Dang Suri. They are being tortured to do daily errands without any pity on them. Their live's became more unberable as their father leaves for a month on duty. Within this time they are being abused to the max while their stepmother starts a secret relationship with Tok Megat. One day as they were searching for firewood along the river they saw their stepmother fooling around with Tok Megat in the river. One day the father found out and was killed after. The incident was witnessed by the two childrens and fled away to save their own lives. As the reached the river to the boat Lela slipped and didnt have time to get on the boat leaving Manja floating away all alone with no direction to where he is going. Will they ever see each other again?

'Mata Hari', the daughter of a kampong headman is captured by the Japanese. She witnesses the atrocities committed by the invaders, who tortured her father to death and round up innocent women to become prostitutes and mistresses for their commanders. Not wanting to cower to the enemy, Mata Hari decides to form and lead a guerilla force to fight the Japanese.

Set during the Sultan Era. Megat Terawis and Megat Sari are the two sons of Paduka Haji, a commoner, who's wife, Princess Kamariah is the younger sister of the Sultan of the country. Although, the Sultan had consented to the marriage, his younger brother Tengku Long who is the Prime Minister, resents their sister being married to a commoner and has nudged a secret grudge against Paduka Haji ever since.

Siti Muslihat is a story that tells of a wife who supports her husband's term became Sultan of Permai Country. She is full of trick to help is husband in managing country and in love.

The same year Shaw’s Malay Film Productions released P. Ramlee’s Penarek Becha, they also produced this melodrama centred around another humble trishaw driver. Like Ramlee’s film it was co-written by young literary upstart Jamil Sulong (who later became a director). Similar issues around class, wealth and modernity are explored through the tale of a kindly older trishaw driver (Omar Rojik) who adopts Jamilah, an orphan and marries her guardian, offering her a simple but better life (including a very, very long visit the circus). As the years pass Jamilah pulls away from her impoverished kampong life towards a world of motor cars and monied families, while kind Omar’s health is failing. A classic slice of social-realist melodrama.

Storm is a Malay film which was published in Malaysia in 1955. Interestingly, the film was produced for Basker KM issued in the form of color or Gevaert Color

Tear film is Malay film which was published in Singapore when it was part of Malaysia in 1953. Tear Film issued in the form of black and white film without color . Tear film was released in 1953 in theaters across the country . Showing Datuk Ahmad Mahmood , Datin Rosnani Jamil and many more . This is the story about forbidden love, a father and his long lost son. Rashid only discovers about his son when he was after the same woman, Hasnah. The slender and legendary, Rosnani played Hasnah. True love prevails but who manage to be with Hasnah?

The story about a girl life in a small fishing village. For the sake of his family, Fatimah have to forget about his own love towards Amir.

Karim migrates from a village to Singapore to improve his life. He falls in love with Nora at first sight. But then his mother wants him to marry Gaya.

Arjuna is a film which was published in Malaysia in 1954. The film Arjuna published in the form of black and white film without color.