When all Broadway shows are shut down during the Depression, a trio of desperate showgirls scheme to bilk a repugnant high society man of his money to keep their show going.

Managing Editor Brad Bradshaw refuses to run a story linking the disappearance of Frank Canfield with embezzlement of the bank. He considers Frank a straight shooter and he goes easy on the story. Every other paper goes with the story that Frank took the money and Brad is demoted, by the publisher, to the Heartthrob column - writing advice to the lovelorn. After feeling sorry for himself for two months, he takes the column seriously and makes it the talk of the town. But Brad still wants his old job back so he will have to find Canfield and the missing money.

An ex-con uses his street smarts to become a successful photojournalist.

Broadway director Julian Marsh needs just one more hit show so he can retire and recover his health. It looks like he just may pull it off until temperamental star Dorthy Brock breaks her ankle on the eve of the show's premiere and has to be replaced by her understudy Peggy.

An early Technicolor musical that concentrates on the fashions of the late 1930s, this film was reissued under the title All This and Glamour Too. The top models of the era, including several who are advertising household products, are in the cast. The plot centers around a chic boutique, whose owner, George Curson (Warner Baxter), tries hard to please his customers while keeping peace with his unhappy wife. A wealthy young woman, Wendy Van Klettering (Joan Bennett), decides to take a job as a model at the fashion house, just to amuse herself, but her presence annoys Curson, who must put together the best possible show to compete with rival fashion houses at the Seven Arts Ball. The film includes several hit songs, including the Oscar-nominated "That Old Feeling" by Sammy Fain and Lew Brown.

Generational saga tracing the events in the lives of the midwest pioneering Nordholm family, as seen through the eyes of businessman Orin Nordholm Jr., who ages from a youth to an elderly grandfather.

Just before he propelled the crime melodrama to new, macabre heights in The Unholy Three, Browning directed this partially lost morality tale pertaining to a different kind of horror: that of a middle-class family living beyond their means and falling prey to moneylenders. Produced by and starring Ruth Roland for FBO Studios, a small operation that later became RKO Pictures, Dollar Down follows Roland as the spendthrift daughter of a manufacturing firm’s general manager (Henry Walthall), who pawns a ring purchased on credit to throw an extravagant party and sends the family’s livelihood into a tailspin. Because its last reel completely disintegrated before it could be copied, the film remains an ultra-rare curio that nonetheless captures an important chapter in Browning’s career before his successful string of films made for MGM.

An unpolished racketeer, whose racket is finding heirs for unclaimed fortunes, affects ethics and tea-drinking manners to win back the sweetheart who now works for his seemingly upright competitor.

When the Manhattan investment firm of Sherwood Nash goes broke, he joins forces with his partner Snap and fashion designer Lynn Mason to provide discount shops with cheap copies of Paris couture dresses.

World War I brings tribulations to an American woman married to a German.

A former government agent in France, who has failed at an assignment and been disavowed, is deported back to the USA, where he can only find work at a low-rent detective agency. He soon gets involved with a woman with ties to a crooked gambling club owner, who is a client of his agency.

A woman murders her husband's mistress and someone else gets accused of the crime.

Florence Denny is Tommy Nelson's girlfriend and secretary at a clothing manufacturer during the Great Depression. In order to boost sales they have been using professional female entertainers to keep their clients very happy, but the clients are getting bored of them. Tommy convinces management to replace the professionals with "volunteers" from the pool of stenographers. Inevitably some clients expectations are greater than their "dates", boyfriends become unhappy, and the "voluntary" duty becomes less so over time. At first, Tommy prevents Florence from being a volunteer, but eventually the prospect of a bonus becomes too great and he encourages her to volunteer. Afterwards, Tommy considers Florence a loose woman.

A beautiful chorine marries a handsome rich socialite, but her idyllic life ends when she visits a dying old beau and is charged when he commits suicide.

A successful shoe manufacturer named John Reeves goes on vacation and meets the grown children of his recently deceased and much-respected competitor; they're on the verge of losing the family legacy through their careless behavior. Reeves takes it upon himself to save his rival's company by teaching the heirs a lesson in business.

Mamie, an orphan girl who was abused in the orphanage, is taken in by Mrs. Caldwell, a kindly woman with a young son named Alexander. Mamie hits it off with the lad, and nicknames him "Zander". When Mrs. Caldwell dies, the authorities decree that the boy must be placed in the same orphanage where Mamie was mistreated. Horrified, Mamie determines to see to it that the boy will be spared the same treatment that she had to suffer.

Showgirls Kay and June are stranded on Palm Beach when they become involved in the case of a fellow chorine who has gone missing on her wedding night.

Paul Granville becomes a famous painter for his portraits of great women as modeled by the beautiful Joline Hofer. When one of Paul's paintings appears to result in a miracle, Joline's life is changed forever. She leaves her previous life to live one of service and piety, a decision that ultimately saves Paul's life.

Ottilie Van Zandt is forced to wed her cousin, despite her love for Richard Wayne, the gardener's son. Richard leaves, vowing to return a wealthy man and eligible suitor for her. He returns to find she has already married and, in turn, marries another girl on impulse. Two generations later, the grandchildren of Ottilie and Richard, who both have inherited their names as well, meet and develop a close friendship that culminates in the romance that their grandparents began but could not consummate years before.

Documentary profile of legendary dance choreographer Busby Berkeley.