Kassim (P. Ramlee) returns to Singapore after finishing his studies in London and is thrust into a betrothal with the daughter of his father’s benefactor, Salmah. However, Kassim has already met and fallen in love with someone who shares his interest in Persian poetry. She is Rahimah, a flower salesgirl in Singapore. They go on dates to the nursery, and spend time together (dancing) in a paradise-like garden (Alkaff Gardens). Even after Kassim returns to Kuala Lumpur to work in his benefactor’s rubber plantation, he never forsakes Rahimah and has a rendezvous with her in Singapore when the opportunity arises. Together again, they watch movies at the Rex Theatre, and vow to get married. Unfortunately, Kassim’s father insists on him marrying his benefactor’s daughter, Salmah, who is a rich and cultured girl. Kassim decides to fulfil his father’s death wish and marries Salmah. Eventually, fate brings Kassim to reunite with Rahiman again in their twilight years.

"'Jiran Sekampung' is an ambitious [social-realist] ensemble film that ties together overlapping story-strands. (...) It seeks to function like a microcosm of contemporary Malay society. There's envy and backbiting, but also love and understanding. People are conscious of status. The old are quick to judge the young. Men are socially privileged, but women sometimes make their own worst enemies." (Amir Muhammad, '120 Malay Movies', 2010)

The film tells the story of a young Javanese man, Ahmad, who leaves his village with a magic protective dagger given to him by his mother. He takes to the seas, eager to discover the world. He reaches the exotic Arabian coast, and travels all the way to Egypt, encountering belly dancers, harem women, etc. He meets Princess Nilam and falls in love. Nilam's father will allow Ahmad to marry her only if he brings back a blue diamond guarded by monsters at a faraway location.

A classis malay film starring Daeng Idris, Neng Yatimah, Siput Sarawak, Normadiah, and Yusoff Latiff

Film Kaseh Sayang is a a Malay film which was published in Malaysia in 1957. The film issued in the form of black and white film without color. After entrusting her baby girl Sukartini to the servant, Kartini leaves Singapore with her husband, Sudanto, to avoid the war. Halimah, the servant takes great care of the child despite her hardship and poverty. After the liberation of Singapore, Kartini returns to take her child back. Halimah is not willing to let go of Sukartini and runs away with her. She is caught eventually and sentenced to a year’s imprisonment. Though Sudanto and his wife win the child over, their hopes are shattered, as the child does not regard them as her parents.

This story deals with the distinction and status of Singapore society when it is viewed differently depending on each other. But the story of a child named Samad change public perceptions of different social status. Samad a child who is looking for his sister Maimonides broken the news after his sister married and moved to Singapore. After finding her brother in Singapore, Samad independently find the money to reduce the burden of his brother who was divorced and became a dancer dance. Wahab often interfere with a criminal Maimonides in the workplace. Wahab made a pact with Hassan and Seman to kidnap the heir uncle uncle Hassan Baruddin own. Hassan intention, when it had no heir of his uncle he would be his successor. Heirs to the estate of Mr. Karim Baruddin is identical face with Samad, Just living standard differences that set them apart. What will happen to Karim and whether the kidnapping was linked with Samad?

When Sulong, a penniless man, strikes it rich by winning the lottery, he begins to lead a high life and is duped into a friendship with a gang of swindlers. Their maneuvers to cheat him of his property are thwarted by their own internal rivalry. Apologetic for his earlier behaviour, Sulong decides to invest his riches in a “kong-si” soap factory.

Khatijah is a greedy and insecure stepmother who hates her stepdaughter, Fatimah. While her husband is away, she hires an assassin to murder Fatimah. But the assassin sympathizes with Fatimah and, instead of killing her, cuts off one of her hands which he shows to Khatijah as a proof of her death.

Fear and panic descend upon the city when a couple fell to their deaths from a tall building. The perpetrator was discovered to be Kalsom, a ghost spirit, who is seeking vengeance for a series of cold-blooded murders the couple committed. This is probably the first supernatural horror film made in Singapore-Malaya.

A Malay film produced in Singapore, which was then part of Malaysia in 1951.

Datuk Karim Jaya death is good news to Datuk Bandung and his followers who want to seize power.

Film Life Lara is a malay film which was published in Singapore when it was part of Malaysia in 1952. The movie Lara Jiwa published in the form of black and white film without color . Lara Jiwa film directed by S. Ramanathan director in 1952. In this film Neng Yatimah play as a wife that been direspectful by his husband that cheat behind her back.

The son of a poor blind woman has dreams of being a famous trumpter.

A malay classic film produce in 1951 with star name such as P Ramlee, Kasma Booty, Neng Yatimah. Directed by B.S. Rajhans

A married couple, Kantan and Tanjung have been married for quite sometime but they still do not have a kid. At last Tanjung got pregnant but she gave great inconvenience to her husband, Kantan. For example, she longs for food that are really hard to find. But Kantan do not lose hope and are very patient towards her. After a while they are blessed with a pretty daughter. They got richer but they stayed humble.

Mama Oh Mama is a Malay movie released in Malaysia in 1981. Film Mama Oh Mama issued in the form of color film . Film Mama Oh Mama was released in 1981 in theaters across the country . Showing Dharma Aaron A. Rahman Aminuddin , Azean Irdawaty , Sharifah and many others .

Jamil (P. Ramlee) is the son of a wealthy family in Kuala Lumpur who falls in love with their maid’s daughter Norma (Normadiah). His class-conscious parents, however, do not approve of their relationship. Noorma and her mother are given a sum of money and sent back to their kampong. This prompts Jamil to quit his family and its riches to seek a reunion with her beloved Norma. Soon, they are happily married and pursue a frugal lifestyle. With the death of his mother-in-law and the arrival of his newborn son, Jamil struggles to make ends meet with his job as a painter. He overworks and strains his eyes so much that he goes blind,

Mardiana (Neng Yatimah), who lives in a spacious villa in Queen Astrid Park with her family, falls in love with a doctor who cured his father’s illness. In a parallel story happening in Medan, Rubiah, a flirtatious mother (Siti Tanjung Perak) who abandoned her children and husband had been living with her adultery partner, but their relationship is getting shaky of late. She realizes that her former husband in Singapore is now an established and wealthy businessman, so she packed her bags once more and returns to Singapore.