Based upon true events and the novel by Gabriel Scott about terrible conditions in a foster family.

The story of the sour old virgin who celebrates Christmas with the judge Bals. She makes life miserable for both the family and the other guests. There are many complications, which does not resolve until Christmas Eve is over.

The film takes place during a time of famine. Norway has been at war with England and Sweden, and times are tough. Gjest Baardsen has gotten into trouble with the law, apparently over a trivial matter. But Gjest breaks free, and instead it is the sheriff who is locked up in handcuffs. And Gjest continues to flee, with sheriffs and good people in tow.

When a popular doctor, leading the job to get a hospital to town, celebrates his 60th birthday there's a big party. But a new doctor discovers malpractice. But when the doctor is ill with a bad appendix, the tables are turned.

Based on the 1931 novel To levende og en død by Sigurd Christiansen. A post office worker is left wrestling with his conscience following a robbery at his workplace.

An interesting look into 1931, a year of unemployment and misery in the forests of Norway. The movie is important as both film history and social portrayal. We get insight into working conditions class differences between loggers and forest owners. Based on the events of the Julussa conflict the movie depicts early labour organization, unity and strike.

Based on the true story of Norway's first labor strike, by female workers at a match factory in 1889.

Lieutenant Thomas Glahn, a hunter and ex-military man, lives alone in a forest hut with his faithful dog. Meeting Edvarda, the daughter of a merchant, they feel strongly attracted to each other, but neither understands the other's love.

The classic movie from 1938 is an adaptation of Oscar Braatens play. Eva Sletto plays the young factory worker Milja, and Harald Heide Steen as her unfaithful boyfriend Julius.Milja and Julius are a happy couple working at the factory, and everything is good until Petrina shows up at the arena. Julius is bewitched by the girl, who gets him to drink and steal.Milja is soon left alone with the shame - and a bastard child. The child is placed with Hønse-Lovisa while Milja is at the factory, but a doctor casts his eyes on Milja`s young. He's looking for children to adopt to rich westside people. In her desperation, Milja gives away the dearest thing she owns, for the kid to have better conditions than she manages to give him.It is Hønse-Lovisa that convinces her that the material benefits can never compensate for real love and care.

The film is often referred to as a «labor film», because it is one of several film dramas from the 1930s that the Norwegian labor movement supported and which should give the audience an understanding of the labor movement's politics.