After the battle of Kfar Chouba in Lebanon in January 1975, Larbi Nasri, a young Algerian journalist, was caught in the whirlwind of events preceding the civil war. Linked to Maha, Hind, Raouf and Michel who surround Nahla, he witnesses the construction of the myth of Nahla, a singer adored by the Arab population. One day Nahla loses her voice on stage. The atmosphere of crisis that reigns around her is spreading like an infection. Larbi, fascinated, loses his footing and gets bogged down.

Aging couple Bahiya and Mahmoud have fallen into a reliable routine of bickering and making one another miserable until the morning that Mahmoud wakes and finds Bahiya gone.

Each morning Beirut awakens to a new murder seemingly committed by a serial killer, with victims found emptied of their blood. At the same time a doctor, Khalil, begins to experience strange symptoms that destabilise him and transform his life. A connection slowly emerges that seems to link Khalil to these victims. Salhab’s body of films have come to narrate the state of Lebanon – and Beirut in particular – during and after the civil war, and this film is no exception.

Hanna, a melancholic woman, comes to Lebanon after 12 years absence. She wants to find her twin brother who has been kidnapped during the Lebanese civil war.