An arsonist tries to shake up the despairing inhabitants of a village who can't communicate with each other.

At the heart of the film is the partner selection institute Duogena, which—very progressive for its time—not only works with computers but also uses video technology: as a visual calling card, a video portrait is recorded of each client in the Duogena studio. The task of 40-year-old bachelor Felix Stamm as a Duogena employee is to grapple with the catalogued heart's desires and to coach clients so that they present their quirks and idiosyncrasies, their concerns and wishes to the camera in as positive a light as possible.

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During the WW2, a Swiss mountain farmer, refuses to follow the government policy to increase self-sufficiency with produce. In his opinion, the steep mountain pastures are not suited for agriculture. Most of the villagers agree. However some begin to cultivate. Even after all his fellow farmers have given in and have started to plant cops, Tanner continues his opposition and ignores all letters and instructions. This leads to a series of reprimands, for instance, some of his hay is seized and his wife cannot buy at the local grocer's since the family won't comply with the government policy.

Yet again, a bear and a rat are out to make a lot of money - this time with art. During a tour of investigation, they find a corpse in a gallery and, hoping it will prove to be a means of access to the worlds of culture, action and finance, they take it along with them. However the desired effect is not forthcoming and they become involved in questions and observations on the subject of art and crime. The rat tries to solve the case himself; to him there is no distinction between artist and detective. After a narrow escape from a murder attempt, the two animals join forces once again and, now sadder and wiser, they resolve to improve - something that appears to be far from easy. But at the depths of despair they discover a system of order in the chaos of the world, which encourages them to venture into the area of philosophy. From here, they proceed into undreamed-of insights and flights of fancy.

A bear and a rat explore dark forests, treacherous ravines and snow-swept glaciers. With no real aim in mind, the bear and the rat bungle along in a folk tale of their own devising, wondering what they should do and where they should go, enjoying nature together, foraging for sustenance, getting lost, squabbling, joking and making music along the way.

Claude, a militant anarchist, is caught stealing and is shot by a policeman while fleeing the scene. Dodo, a hairdresser, is hit by one of the stray bullets. They meet in the realm of the dead and together they visit familiar places and their loved ones. By debating their past with each other, they become close and fall in love. Because of their feelings they get the chance to return to life for twelve hours in order to prove the depth love they share.

In this poetic and mystical work, light itself takes center stage and tells its story through images rather than words. At five different locations, various light sources come to life, accompanied by music, and interact with one another. The film uses unusual artificial light and sound installations as well as elements of expressive dance to present the diverse expressive possibilities of the visual arts. Without a continuous plot, but full of anecdotal, condensed scenes, a fascinating and challenging narrative unfolds.

In 1881 Ludwig of Bavaria goes on a cruise on a Swiss lake. He takes with him a famous actor, Josef Kainz, to act out the scenes from a story which took place on the lake, at the actual locations.

In this docudrama, the real star is a railroad tunnel. First built, at the instigation of a banker and an engineer, in 1872 under appalling conditions, it was widened to accommodate automobiles in 1972. The tunnel links the Rhineland in Germany with Italy and goes through the Swiss mountains. The many lives lost in the building of the first tunnel were considered to be one of the costs for economic progress. In one re-enactment, a strike for better conditions is severely dealt with by the military. Even in 1972, though working conditions were better, most of the men working on the tunnel were poor immigrant workers, with almost no power to negotiate better treatment.

Klaus Koska is the only witness to an assassination - but after he reports his observations to the authorities, he is suddenly the hunted after instead.