A long-running German-language entertainment television show based on the format of the British show You Bet! and the American show Wanna Bet?.

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.

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The Bambi, often called the Bambi Award and stylised as BAMBI, is a German award presented annually by Hubert Burda Media to recognize excellence in international media and television to personalities in the media, arts, culture, sports, and other fields "with vision and creativity who affected and inspired the German public that year", both domestic and foreign. First held in 1948, it is the oldest media award in Germany. The trophy is named after Felix Salten's book Bambi, A Life in the Woods and its statuettes are in the shape of the novel's titular fawn character. They were originally made of porcelain until 1958, when the organizers switched to using gold, with the casting done by the art casting workshop of Ernst Strassacker in Süßen.

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No synopsis available yet.

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A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.

When Ovid's “Metamorphoses” meet Vivaldi's music: conceived and directed by Barrie Kosky, an effervescent show presented at the 2025 Salzburg Festival. With Cecilia Bartoli, Lea Desandre, Nadezhda Karyazina, and Philippe Jaroussky, as well as actress Angela Winkler in the spoken role of Orpheus.

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Live performance from the Metropolitan Opera, 27 February, 1996.

You will find this Requiem the finest on video. It certainly outshines Bohm's dated approach, and Bernstein's lethargically slow performance. (No disrespect to them, I enjoy them but this is better :) It also gives us a superb opportunity to view Solti at work, and I wonder why don't have more of his performances on video. One may also enjoy seeing (and hearing) Rene Pape at only 27 years old, likewise Cecilia Bartoli in her young prime.

The celebrated mezzo-soprano Cecilia Bartoli joins Bryn Terfel for a recital of arias and duets recorded at Glyndebourne Opera House in 1999. The programme features favourite pieces from Mozart, Rossini and Donizetti, with the London Philharmonic Orchestra conducted by Myung-Whun Chung.

At Salzburg Festival, Cecilia Bartoli shines as Ariodante with her dazzling coloratura in a highly acclaimed new production by the German director Christoph Loy, who is known for his clever psychological stagings. Loy turns Handel's splendid baroque opera into an exciting and differentiated reflection on gender roles.

This new disc from the Zurich Opera presents just about as thoughtful and coherent account of Rossini's Otello as one could hope for. This isn't the first time the company has made something of a splash with the bel canto repertory. Some will remember their CD release, a few years back, of Bellini's Norma, also featuring Bartoli. That set got very mixed reviews, and those who hated that will probably hate this too, no doubt before they even watch it. But for those not initiated in the trench warfare that music loving often attracts, this disc will be most welcome. The world class cast, led by Cecilia Bartoli and tenor John Osborn, are (mostly) young, committed and talented. They deliver, here, an intense performance that makes a very strong case for this neglected opera.