Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

An anthology series of television plays which aired on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured.

An anthology of short plays shown on BBC Television between 1965 and 1973, used in part at least as a training ground for new writers, on account of its short length, and which therefore attracted many writers who later became well known.

Jack Regan, an unethical officer of the Flying Squad, uses unorthodox methods to pursue criminals with the help of his partner, George Carter.

Alan Bleasdale's five-part series relates the further experiences of unemployed Liverpudlian tarmac layers Dixie, Chrissie, Loggo and Yosser, and their revered older friend, retired longshoreman and union leader, George Malone. As they struggle to make ends meet in a depressed economy, and to hold together their financially battered families, they are harrassed by the petty bureaucrats of the DHSS. But the lumbering investigational juggernaut is, both comically and tragically, guided by drivers with only a provisional license.

Days of Hope is a BBC television drama serial produced in 1975. The series dealt with the lives of a working-class family from the turmoils of the First World War in 1916 to the General Strike in 1926. It was written by Jim Allen, produced by Tony Garnett and directed by Ken Loach.

Scully was a British television drama with some comedy elements set in the city of Liverpool, England, that originated from a BBC Play For Today episode "Scully's New Years Eve". Originally broadcast on Channel Four in 1984, the single series was spread over six half-hour episodes plus a one-hour final episode. It was written by playwright Alan Bleasdale. The drama is notable for featuring many of the Liverpool football club first-team squad of that era. Francis Scully is a teenage boy who has his heart set on gaining a trial match for Liverpool to hopefully fulfil his ambition of playing for the club. Francis, in everyday situations during his waking hours, occasionally "sees" famous Liverpool players such as Kenny Dalglish when they are not really there. These dream-like sequences recur throughout the episodes. The main plotline is the efforts of Scully's school teachers to persuade Scully to appear in the school pantomime which they attempt by promising him a trial with his beloved Liverpool if he will cooperate. When Scully and his friends are not in school making trouble for the teachers and the school caretaker, they are seen roaming the local streets upsetting the neighbours and getting into trouble with the police. Scully sometimes has visions of the school caretaker appearing as a vampire due to the caretaker's nickname being Dracula. These frequent waking dream sequences give the show a somewhat surreal atmosphere.

It happens in almost everyone's life. There is a special day - a day of unusual significance. A turning point in life, perhaps in career, romance or fortune; a day to remember. This anthology of plays, each as individual as the people and events portrayed, looks at seven such Red Letter Days.

Incendiary 1981 Play for Today, written by Jim Allen and directed by Roland Joffé that tells the story of a group of housing estate residents who attempt to organise against persistent rent rises.

The saga of Manchester lad Joe Henshaw, a story that takes in family life, the trials and tribulations of the Labour movement and World War Two

“Set in Liverpool in the early 70s, the film tells the story of Samuel 'Lucky' Ubooto, a half African, half Irish man in his 20s whose decidedly unlucky career as a criminal has resulted in a series of stretches in prison for theft. The story follows Lucky on the day of his release from his latest sentence. As he wanders around Liverpool, not really belonging anywhere, it becomes clear that he is still waiting for his father, a man who has long since abandoned Lucky and his family, to return and take him back 'home' to Africa.” - Richard Parkin

In the days leading up the Queen's Silver Jubilee, Pauline, a recently separated single mother, receives a visit from a bailiff and is given 15 days to address her overdue rent payments. Meanwhile, the local council is under pressure to cut expenditure, and their decisions result in Pauline's mentally handicapped daughter Paula being transferred from a care home for special needs children to an old people's home, where she is all alone.

A Liverpool tarmac gang set off for a contract in Middlesbrough. After a day of work, the group are approached by two gypsies who offer them a lucrative side job.

After a prolonged industrial dispute in the Liverpool Docks, the striking workers reject management demands of a return to work and decide instead to occupy the docks and run the operation themselves.

Two guys meet, one American, a deserter from the US army, one Brit, and they are drawn together by their mutual love of Soul music. Neither being gainfully employed they decide to start a mobile disco service for fellow soul lovers, which leads them to buy an ice cream van, and the adventure begins. Before long they find themselves on the run from the bad guys and the police.

Wilkinsons glass-works dominates a Staffordshire town. After a small walkout over pay discrepancies, the workers of the factory vote to go on strike, but they are denied support by their trade union.

A psychedelic documentary of the body electric, with music by Pink Floyd. The film was directed and produced by Roy Battersby. The film's narrators, Frank Finlay and Vanessa Redgrave, provide commentary that combines the knowledge of human biologists and anatomical experts. The film's soundtrack, Music from the Body, was composed by Ron Geesin and Roger Waters.

Ken Loach's censored production for the Central Office of Information.

When teacher Tony Scannell decides he wants to be ordained as a Catholic Priest his decision has wide ranging effects on his family and loved ones.