Sachiko Mishima a young Japanese woman get sent to Haiti as a dispatch member for the Ministry for Foreign Affairs. She thinks she is going to the holiday resort of Tahiti by mistaking Tahiti for Haiti). While in Haiti with the help of a Japanese craftsman she learns paper can be made from bananas. She embarks on a mission to create paper for the Haiti residents to help them.

Naive office girl Yuko supports her blithe big city lifestyle with a part-time job at a neighborhood cafe. Attracted to her manager there, the shallow but charming Yutaka, she willingly succumbs to his lascivious advances only to discover afterward that he already has a girlfriend by the name of Midori. Even so, Yuko's feelings for Yutaka continue to grow regardless of his aloofness. Before long she finds herself reluctantly cajoled into working as a hostess in a small karaoke bar. Fatalistically accepting his dalliances with flames old and new, she perseveres not so much in hope of a more substantial relationship, but rather out of fear of losing him. There are other men out there waiting for her -- kinder, more considerate and eagerly available. But for Yuko, there is only the non-committal, yet torridly magnetic Yutaka. Why him? Not even Yuko seems to know the answer.

Kenji and Aya spend their summer days in a Hotel. While she is doing her own thing, he tries to work on his novel. But then a few strange hotel guest arouse the curiosity of the couple.

During the 1980 Gwangju uprising in South Korea, a Korean man and a second-generation Korean-Japanese woman meet during the student activist movement. Under the chaos of the time the man and woman fall in love, but the woman disappears. 30 years later, the woman keeps her past a secret and worries that her daughter Mie Matsuki (Rina Uchiyama) may pursue her Korean roots. One day, Mie who already has a fine boyfriend, introduces her mother to a Korean man named Yoo Jung-Bae (Kim Eung-Soo). Yoo Jung-Bae is the man that her mother fell in love with 30 years ago during the Gwangju uprising. During his college days, Yoo Jung-Bae was the leader of the student activist movement. Now he is transferred to an investment company in Tokyo. Mie works at the same investment company. Feeling a bond with Mie, Yoo Jung-Bae walks the streets of Tokyo with Mie every weekend and begins to learn about each other.

Buddies working at an oshibori factory bond over an uncontrollable rage neither can control, as well as a strange jellyfish they keep as a pet.

A failed actor switches identities with a stranger at a bath house thinking it is his way out of his life of misery but only to find himself filling the shoes of an elite assassin.

Three female idols appear on a television show to investigate an exorcism. An exorcist with psychic powers named Unsui claims that the show’s subjects, the Kaneda family, are cursed by a demon that’s too powerful for him to banish on his own, so he calls in a fellow exorcist to help. Soon, a reckless ghost hunter enters the fray as the three idols witness a series of terrifying events.

New kind of horror films are added to "Kaidan Shin Mimibukuro" series directed by a cult filmmaker, Noboru Iguchi (Machine Girl). This movie has four episodes starring a Japanese idol group, S/mileage!

Chinatsu is a 28-year-old office worker who lives life on auto-pilot, until a mysterious boy appears to her. He tells her that if she answers five riddles, he will make her dreams come true.

When corporate executives are blackmailed into public displays of nudity on the busy streets of Shinjuku, the big guns are called out to locate "Oboreru Sakana". The "big guns" are a misfit duo of ethically questionable characters who must infiltrate a gay nightclub and "fit in" while they search for clues. What ensues is both hilarious and action-packed. Oboreru Sakana is a rather ambitious and often hilarious contemporary crime thriller. Its narrative swings from the grisly to the humorous and pulls in as many pop culture elements as it can manage.

Two youths meet in adolescence, reconnect as adults, and though both have changed drastically, their love still remains.

News comes out that several people found 1 kg of solid gold in their mail boxes. Maya Yamabuki moves back to her hometown and surprises the movers by the amount of money she gives them.

Each time Lulu is heartbroken small stones come out of her body. The doctor tells Lulu they are kidney stones. She collects them in memoriam of love.

When a new employee from a well-off family begins working for the first she had understood that she is walking into a fabulous working environment. This is what they call a 'white company.' Instead, she is in for a rude shock when the employer turns out to be a 'black company,' which is one with a negative environment, a rude boss, problematic co-workers, abuse and low pay. The employee's father runs a company that happens to go broke. She herself is not a model employee exactly however.

Miyuki doesn't need to stalk the man she's crazy about, because he lives one floor down. Rather than approach him, she digs through his trash.

No synopsis available yet.

Near the slopes of Mount Fuji, there is a so-called suicide forest, an infamous place where people who are tired of living have their last breath of air. The four different stories of this film all revolve around this place.

Compilation film featuring short works from directors Hitoshi Yasaki ("Short Cakes"), Yuki Tanada (scriptwriter "Sakuran," "Tsuki to Cherry"), Hiroyuki Nakano ("Stereo Future," "Samurai Fiction"), Masahiko Nagasawa ("Yoru no Picnic"), Masaya Kakehi ("Bijokan), and more for a total of 18 shorts. This time around the theme is "24 hours," where filming for each work must have been completed in 24 hours in order to appear in this film.

No synopsis available yet.

An electronic music composer and his troubled fan are plunged into a hallucinogenic nightmare where they must face an ancient Japanese entity - capable of bending space and time and wreaking havoc and death - to save their souls.