A dangerous international spy is determined to give up his high stakes life to finally build a closer relationship with his estranged wife and daughter. But first, he must complete one last mission - even if it means juggling the two toughest assignments yet: hunting down the world's most ruthless terrorist and looking after his teenage daughter for the first time in ten years, while his wife is out of town.

In the 60s, the Government encourages Islanders to leave the French West Indies to escape poverty that results from the closure of sugar mills. Lured by the idea of a "dream country", they find life in Europe is not what they had imagined.

Emmanuel is in his twenties and studies at the dance conservatory. Between his administrative and financial setbacks and the fiasco of an audition that could have simplified everything, Emmanuel goes through a difficult day. But, by confronting some obstacles, he confronts himself and realizes how far he has come. Emmanuel has become a young adult.

After long years spent in exile in Paris, Lyubov, a strange and elusive woman, returns to her ancestral estate, about to be sold to pay off the family’s debts. As the centre around which the play revolves, forever oscillating between tragedy and comedy, this maternal figure, this mater dolorosa, played by Isabelle Huppert, returns to a family unsettled by the future of the estate, and more largely, by that of this world she left behind. Modern society, with its social changes, is right around the corner, noisily announcing its arrival.

As Hakim is waiting for the bus after class, he is caught in a vendetta between teenagers. He is not exactly keen to get into a fight, but how can he possibly avoid an awaited confrontation?