The Life and Legend of Wyatt Earp is a television western series loosely based on the life of frontier marshal Wyatt Earp. The half-hour black-and-white program aired for 229 episodes on ABC from 1955 to 1961 and featured Hugh O'Brian in the title role.

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.

Adventures in Paradise is an American television series created by James Michener which ran on ABC from 1959 until 1962, starring Gardner McKay as Adam Troy, the captain of the schooner Tiki III, which sailed the South Pacific looking for passengers and adventure. USA Network aired reruns of this series between 1984 and 1988. The plots deal with the romantic and detective stories of Korean War veteran Troy. The supporting cast, varying from season to season, features George Tobias, Guy Stockwell, and Linda Lawson.

An American anthology drama television series hosted by Barbara Stanwyck served.

Producers' Showcase is an American anthology television series that was telecast live during the 1950s in compatible color by NBC. With top talent, the 90-minute episodes, covering a wide variety of genres, aired under the title every fourth Monday at 8 p.m. ET for three seasons, beginning October 18, 1954. The final episode, the last of 37, was broadcast May 27, 1957. Showcase Productions, Inc., packaged and produced the series, which received seven Emmy Awards, including the 1956 award for Best Dramatic Series.

This five-part series traces the story of Asian Americans, spanning 150 years of immigration, racial politics, international relations, and cultural innovation. It is a timely, clear-eyed look at the vital role that Asian Americans have played in defining who we are as a nation. Their stories are a celebration of the grit and resilience of a people that reflects the experience of all Americans.

A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey.

After committing a murder for his lover, Gloria, the famous painter Jack is forced to go underground. In the harbor district, he saves the poor Malaysian girl Song in front of two intrusive sailors. She loves him for it, and together Song and Jack appear in the tingle dungeon of the port, he as a knife artist, she as a dancer.

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

An Eskimo who has had little contact with white men goes to a trading post where he accidentally kills a missionary and finds himself being pursued by the police.

In Shanghai, an American girl who helps run an opium ring meets an American agent disguised as a mining engineer. The two fall in love, and she has to determine where her loyalties lie.

Racketeer Steve Recka, art patron and political power-maker, rules his town and Madame Lan Ying, his beautiful friend and hostess (read:mistress), with an iron hand. He meets Margaret Van Kase, a socialite not impressed by his power nor his wealth, having no money herself, and Steve makes frantic efforts to win her and turns away from the loyal Lin Yang.

A pair of lovers plot to kill the woman's rich husband.

A young Chinese woman, working in the kitchen at a London dance club, is given the chance to become the club's main act.

After surviving a murder attempt, an auto magnate goes into hiding so his wife can pay for the crime.

Anna May Wong created “My China Film” as her response to not being cast in Metro Goldwyn Meyer’s award-winning film about Chinese peasants, The Good Earth (1937). Immediately after that casting rejection, Wong travelled to China for the first and only time in 1936 to see the real China, the “native land” of her parents where she arranged to have her experiences there filmed by Newsreel Wong. In contrast to The Good Earth, “My China Film” is the result of a Hollywood film studio actress seizing the means of production. Her film reveals her craftsmanship as an American actress learning to play a Chinese by equipping herself to perform the role of a transnational Chinese. In addition, rather than being a straightforward documentary travelogue, “My China Film” reflects differing agendas and multiple Chinas.

Ventriloquist and world traveler Gordon Cobb is murdered by a gang of jewel thieves. Baffled by the contradictory clues, Inspector Queen asks his son, Ellery, to help out.

Elissa Landi and Charley Chase host an East Asian themed garden tea party in Hollywood. After introducing a few Hollywood luminaries who are attending the party, they present a number of musical and/or dance performances to entertain the crowd. This set of performances also includes ethnic Chinese actress Anna May Wong modeling some fashions she brought back from her first ever trip to China. Through it all, one of the guests, already inebriated, is having a few problems mixing and serving the cocktails he wants.

A Chinese-American surgeon faces a moral dilemma after operating on the mob boss in charge of vice and protection rackets in her city's Chinatown.