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Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.

Hospital at the End of the City is a popular television series first released in Czechoslovakia in 1977, it featured an ensemble cast and received much viewer praise in central Europe. The series ran from 1977 to 1981 for a total of twenty episodes. The success of the series inspired the German television series The Black Forest Clinic.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

In the frontier village Vetrov boys from the children's home called Indians lead a bitter "war" with the local Símáks. Before a battle the Indians have a meeting in the sandpit with a smoke signaling. The smoke brings to the sandpit a frontier guard Tomás with a police dog Ranek. The children learn from Tomás that Rank served out and that it shall be destroyed. The nine-year old Fanda writes a letter to the "minister of the frontier guards" in which he asks to let Ranek live. To save Ranek's life he also visits the local frontier guard commander. In the end it is decided that children from the children's home may keep Ranek.

Eva is a new member of a girl's boarding school and textile factory. She looks up to the free-spirited Jana who struggles against conformity and discipline. Jana's conflicts with the staff and other girls have consequences for all.

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Based upon Shakespeare′s "Twelfth Night", the movie tells the story of the Duke of Illyria who is in love with the Countess Olivia. Olivia, however, keeps eluding him. When the Duke sends her a page to bring her a message, Olivia falls in love with the messenger who is in fact a woman called Viola. After she was shipwrecked on the shores of Illyria, Viola assumed the role of her missing brother. She cannot return Olivia′s love because she, in turn, adores the Duke.

Prague in the 1870s. Work in Smolík's sulphur factory is hard and dangerous to health. The poorly paid workers resemble torches because their clothes are soaked with poisonous phosphorus. Young Josef Rezler also works in the sulphur factory and uses his earnings to feed his mother and little sisters. He throws his perpetually drunken father out of the house. The older worker Brož forces Josef to learn to read and write. A cholera epidemic breaks out in Prague and Josef is the only one of his family to survive the disease...

Czechoslovakian Zbynek Brynych directs this psychological drama set in World War II Terezin ghetto. A dark, visual portrayal of the trials and tribulations the Theresienstadt people faced on a daily basis presented in a series of memorable stories. Their hopes and dreams unfold against the perpetual threat of deportation (or worse) by the Nazis. Based on the novel "Night and Hope" by Arnost Lustig.

A car deliberately runs down a young man on a road by a small border town. The locals recognize the dead man as one of the students who were there on volunteer work some time before. The police detectives, Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) can then get on the trail of the people with whom the victim was involved, especially at the photographic studio headed by Bohuslav Pacer (Bohus Záhorský).

In a suburban villa, a woman of means is murdered. Police Superintendent Zdychynec from the Prague Liben neighborhood reports the case to Police Councilman Vacátko, upon whose order an investigation is launched immediately. Zdychynec begins to suspect the wooer of his own daughter, a handsome dragoon named Rudi, of the crime. In Rudi's absence, Zdychynec searches his rented room in the apartment of the elegant Mrs Dragicová. All his findings - among others, sand left on Rudi's jackboots and a decent amount of money in his bedside table - convince the superintendent that he is following the right lead, especially when Rudi refuses to say where he was at the time of the murder.

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The family of a film screenwriter, who needs fresh air and, above all, peace and quiet for his creative work, moves to a small country farm for a while. However, his wife, a former, somewhat hysterical actress, still does not give him any peace, and so his small family, which also includes a six-year-old son, is in danger of falling apart. Unexpected, mysterious events, however, show them the way back. This is because there is a former coffee roastery on the farm, and the wife, together with her neighbor Dědek, starts a business against her husband's will.

The young generation is not very at peace with the morality of their parents. In a story set in a Moravian village, the otherwise contented cooperators indulge in stealing from the common property without seeing anything wrong with such actions. After being reprimanded by their own children, they first get angry but then become ashamed. The result is a late agitational comedy that no longer deals with the peasants' entry into the agricultural cooperative, but with the mores prevailing there. The ideologically mature youth act as a guarantee of a happy future.

A day in the life of Arnošt, a soldier staying in Josefov. A sense of desperation permeates the environment as well as the mind of the protagonist. It is sunday, and saturday left just a hangover. Days go by, nothing changes. A metaphor for the political situation in the Czech lands at a time where depicting a soldier as a drunk was considered out of place to say the least.

The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.

An aging professor at a Prague neurological clinic is forced to confront his personal values and the harsh boundaries of medical science. Already burdened by the ultimate questions of life and death, his ethical convictions are put to the test by Víťa, a young patient with an inoperable tumor.