The Philippines, 1972. Mysterious things are happening in a remote barrio. Wails are heard from the forest, cows are hacked to death, a man is found bleeding to death at the crossroad, and houses are burned. Ferdinand E. Marcos announces Proclamation No. 1081, putting the entire country under Martial Law.

With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III, inheritor of the hacienda and businesses of his powerful clan, agonises on becoming the new feudal lord and capitulating with Marcos’ designs to control the Philippines. Aware of his clan’s long history of violence, Monzon knows the very violent history of his county and foresees a very violent future with the dictatorship.

Hilarion Zabala has a mysterious, recurring olfactory problem. A counselor/psychiatrist suspects a lingering case of phantosmia, a phantom smell, and possibly caused by a deep psychological fracture. One recommended radical cure is that Hilarion must go back and deal with the darkest currents of his past life in the military service. Reassigned in the very remote Pulo Penal Colony, he must also confront the horrific realities of his present situation.

Puppeteer Hernando Alamada returns home, experiencing a bitter transition in the aftermath of the unexpected death of Philippine president Ramon Magsaysay. Communicating only using his puppet, he goes on a journey with a nun, a sex worker and a teenage boy to a remote island where gold has been discovered.

To this day, Ishmael Bernal's movie Himala is still in our town, in our world. This will be reflected in the broader perspective of the majority, of the surrounding events. Beliefs still lie in the truth. Consciousness is still dominant at the level of illusion. The naive, savage, cruel, and selfish politics still prevail.