An anthology of nine different episodes dealing with queer relationships during one of the longest lock-downs in the world in Manila.

Gulong ng Palad is a Philippine 50's radio drama series and 1980s soap opera hit. On January 9, 2006, the drama series came back in television under the direction of Eric Salud and Jerome Pobocan. The television series can be watched regularly in Philippines' ABS-CBN from Monday to Friday after TV Patrol World. The show also aired simultaneously on The Filipino Channel. The TV Dramas original inception was in 1977-1985 in 1977-1979 it aired on Fridays and aired in 1980-1985 as a primetime soap at 8:00PM The TV Series was known for its Orgin as the Original Filipino Telenovela that starred TV and movie greats Marianne Dela Riva as Luisa and Ronald Corveau as Carding and Beth Bautista as Mimi and also known as BBC2 Now ABS-CBN Since 1985-Present and also made Award Winning Character Actress TV Veteran Caridad Sanchez a household name as Idad the loving mother and opportunist the original story was by Loida Virina for the tagalog version of the Cebuano Classic Radio Serial and in the present by Kristine Hermosa Tj Trinidad and Andrea Del Rosario as the leads and lead antagonist Cherie Gil

We meet, we get to know each other, we fall in love; we kiss, we embrace, we get physical, and we enjoy the moment, but does it mean that we really have each other? Is it possible that all kinds of desires, both physical and abstract, can make a difference in a relationship? Because even though I love you, I still think of others.

During a film shoot where abuse is disguised as artistic direction, a comeback actress commits a devastating performance to survive, exposing how cinema can construct and legitimize violence. In Ang Lihim ni Teresa (Teresa's Secret), she enters a set where authority is absolute and cruelty is framed as discipline. As production unfolds, she loses control over body, emotion, and authorship, where survival is mistaken for consent. When violence escalates, she chooses to live, burying the truth as the director’s collapse is rewritten as myth. The set becomes a crime scene without witnesses. In the aftermath, she is praised for her “courage” while a sound technician retreats into silence. At a commemorative screening, celebration fractures, revealing cinema’s ability to transform violence into narrative and absolution. The myth of the Kataw appears briefly through Ang Lihim ng Kataw (The Secret of Kataw).

With his family life in shambles amidst the government's war on drugs, a young man transitions from being an ordinary filmmaker to being a full-fledged member of the revolutionary movement, proving that conviction knows no gender.

The protagonist and his boyfriend Marco have a steady relationship, but when he meets Joaquin at the same time, he develops an unexpected connection.

"Emir" is all about Amelia (Frenscheska Farr). Amelia hails from Ilocos and she is forced to find work abroad to provide for her family. Amelia leaves her family and everything she loves behind. Amelia applies as a nanny and is lucky enough to be the caretaker of the Sheik's pregnant wife. Later on, Amelia is given appointed nanny of the Sheik's first born son Ahmed. Through the years, Amelia will not only see Ahmed grow to a boy but she will also learn more about life's trials and tribulations, struggles of lonely worker in a foreign country.

Tale of the Lost Boys is the story of the friendship between two men Alex, a Filipino mechanic, and Jerry, a Taiwanese aborigine student. The two meet randomly when Alex flees to Taipei from Manila, upon learning that his girlfriend is pregnant. A casual conversation develops into a surprising personal connection between them. Both realize that they yearn for a more intimate connection with their mothers, since Alex’s abandoned him for a new family while Jerry is afraid that his traditional parents will reject him for being gay. The two men go on a road trip and end up at Jerry’s tribe. The trip eventually makes them reconnect with their mothers and both discover a certain sense of identity and freedom.

Just like the seven previous SR&R franchise, this has three episodes-"13/F," about a children's party held in a forbidden floor; "Yaya" is about a naughty kid who discovers that her new nanny is a vampire; and "LRT" is about a freak accident in which people find themselves trapped in an LRT coach, chased by a monster.

A story that follows Eric, a young man returning to his old hometown to fulfill his mother’s wish for him to scatter her ashes there. He will meet his childhood friend Jericho and they will reconnect recalling distant memories of their youth.

Kasal is a slice of life drama of a gay couple whose resolve to stay together is challenged as they attend a wedding. It also is an examination on how a gay couple navigates through the different institutions in Philippine society.

In the final hours of 2021, a chance encounter between two out-of-luck young actors leads to an intimate but unstable relationship. With their careers stalled and their emotions unbalanced by the epidemic, they seek solace in each other, but they can't tell if it's love or just a physical need. How do they find true companionship when everything is uncertain, and desire and vulnerability are intertwined?

Emmy and Vince started out as casual friends in their college barkada until parallel events in their lives drew them closer to later become the best of friends. This is despite their opposite personalities Emmy is driven in her career and domineering among her friends but possesses a heart of gold, while Vince is the ever-cool type of guy who has this laid-back attitude towards life. Although not being physically close to and not constantly communicating with each other for extended periods of time, they manage to affect and influence each other's lives over the years until they find themselves falling in love with each other. Fearful of losing the friendship they have invested much on, they choose not to let the other know of their true feelings.. until much later on.

A young couple who are so poor that they have to work as hired killers.

Journey with Robert and Emily, a couple teetering on the edge of separation. Determined to rekindle their fading romance, they heed the counsel of their marriage therapist, embarking on a weekend getaway to a secluded, private resort.

Two sex workers, a 17-year-old Gino and young mother Marie, are hired to do a pornographic film. The day before All Saints' Day, they travel to a remote location for the shoot. During the shooting, they are made to do acts to which they didn't agree. Feeling trapped and isolated, the two are pushed to the edge of their dignity.

Miguel is an abusive husband to Teresa, a former town-beauty queen. They have an eight-year old son, JR. Their small family lives with Miguel’s parents. The family is shattered by the vicious cycle of domestic abuse. After a night of beating, Teresa, goaded by a friend, seeks TPO (Temporary Protection Order) from the court. TPO is a legal remedy that a woman can avail of under Republic Act 9262 (Violence Against Women and Children Law) to protect her and her child against anyone harming them. Teresa is granted the TPO against Miguel. But in this legal tug-of-war of familial rights, their son ,JR, is ignored. Until, he shows aggression in school.But Miguel’s parents coax Miguel to file for Child Custody.

A young police officer sets on a dangerous mission to unravel the mystery behind his brother’s disappearance.

Thirteen passengers take the last trip of the Light Rail Transit (LRT) at almost midnight. To make things worse, the train stops right in the middle of an abandoned train station, and with no means of communication, they have no way to get into the street below, all the while a mutant heart-eating eyeless monster pursues them and hunts them one by one.

Greatest Performance is a film about making films—and about the power that hides inside that act. At its surface, it unfolds within a controlled production environment: a set, a director, actors, a camera. Everything appears orderly, professional, efficient. But beneath that structure lies a more unsettling question: Who controls the image? And what does that control allow?