A Czech medical television series that focuses on an emergency department. Each episode follows cases inspired by real-life stories and the cases of patients and healthcare professionals.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

As the name suggests, the movie is about football. It is not about big league soccer, making huge money. It is about football, which lives just from village fans enthusiasm, from the enthusiasm of fathers and their sons and club officials. And yet on this battlefield, where the pub and silent household alternates, it is often about everything: friends, family, the meaning of life. It is about playing fair, but also about fighting below the belt. It is about winning, but also about falling into the abyss of the league wilderness.

In 1534, the legendary Jan van Leyden, an Anabaptist, preaches in Münster, causing Catholics and Protestants alike to defect in droves—especially women. This leads to a bloody power struggle between the Anabaptists, the Church, the nobility, and the citizens, which ends in a long siege of Münster by the prince-bishop Franz von Waldeck.

Chlapci a Chlapi is a TV series produced and broadcast in Czechoslovakia in 1988. It follows the story of a group of Czech and Slovak men in their mandatory army service. The series was generally well received and is very well known in Central Europe. It stars Martin Zounar, Boris Slivka, Roman Hajek, Josef Bláha, Jaroslava Adamová and others. The show was directed by Evžen Sokolovský.

Three brothers leave their home to see the world. During their journey, young men as by miracle enter into famous fairy tales (Little Riding Hood, Sleeping Beauty, Twelve Months) and face traps, unexpected moments and even love in a story full of humor and songs.

The story, written by former George Stransky former political prisoners and today's chairman Pen Club is situated to 50 years and uranium camp of political prisoners in Pribram, where after the fall of the Stalinist cult comes at the end of 1958 as a prisoner of the former Chief of Main Administration of correctional facilities Colonel Good. Former chief topic of coexistence, "a guard" and political prisoners in the Bolshevik camp served timeless makers to reflect on the possibility (or impossibility) of forgiveness and a sense of justice. The film, unfortunately, below expectations - mainly because of its rarity and lack syžetovou arching dramatic arc of the story, including natural gradation. Nice camera and vice versa are cast, formed literally myriad of top Czech actors. A representative of one of the main roles - Jiri Schmitzer in 1997 was awarded the Czech Lion.

Thirty-five-year-old bachelor Jiří Šafránek is a train dispatcher, an amateur actor rehearsing the role of Hamlet, and the proud owner of a 1960 Stadion 22 moped. Because of the blue color of his beloved motorcycle, the police call Jiří the Blue Dragon. Jiří still lives with his mother, who finds it difficult to tolerate his escapades. Like Prince Hamlet, Jiří talks to his father's ghost. In addition, he is always running late and shortens his journey from work to theater rehearsals by taking a footbridge where motorcycles are prohibited. One day, he almost collides with a girl named Adina coming in the opposite direction. This marks the beginning of a relationship that will disrupt not only Jiří's coexistence with his mother, but also the preparations for the premiere of Hamlet itself.

After World War II, fighter pilot Antonín Maděra returns from England to his native village in the Ore Mountains to forget the hardships and horrors of war and to "live, work, and love his neighbors," as he himself says. But Svatý Štěpán, which his family had to leave in 1939, is no longer the same place it used to be. However, even in his wildest dreams, he could not have imagined what really awaited him there.

A special story about love, dance, and immortality takes place in the late 1940s. A young man, dance master Mayer, arrives at a pulmonary sanatorium. His diagnosis is serious—tuberculosis. However, he does not give in to his illness and begins to actively fight it with dance and optimism. Gradually, he wins over other patients who had previously resigned themselves to their fate. Soon, however, his illness breaks out in full force and insidiousness. Facing death, he embodies human courage and a positive attitude towards life.

Czech TV adaptation of the french novel "La Soupe aux choux", previously adapted for the cinema in France, with De Funès ("Cabbage Soup", 1981).

The Grand Hotel is a place between heaven and earth. A place where clouds and human desires float by. This metaphorical story is set in a famous hotel towering above Liberec. Working there, as both guardian and prisoner, is Fleischman, a maintenance man and amateur meteorologist who wanted to be as close to heaven as life would allow him. And you can't get any higher than that.

The love story of students Jana and Tomáš begins in Prague just after the establishment of the First Republic. Their impulsive "escape to Buda" marks not only the liberation of the dissatisfied Jana from her monotonous life with her mentally unstable mother, but also the beginning of their fateful marriage. They settle in the picturesque Slovak foothills, on the sprawling estate of Tomáš's vital father, with whom Jana strikes up a deep friendship. Soon, however, she is visibly affected by Tomáš's surprising transformation. The marital crisis is deepened by the unstoppable decline of the estate. The family's efforts to establish itself in Vienna, which after the collapse of the monarchy is only a memory of its former glory, also fail. Jan's enterprising brother-in-law lends a helping hand. The return to prosperous Prague is their last chance, but it brings something different to everyone...

It is certainly no coincidence that Lady Chatterley's Lover was written after World War I, in 1928. What else but the incredible, hitherto unimaginable ravages of war could once again raise fundamental questions about human existence? Who are we, what are our true values and goals, what are our hopes? Lawrence answers with a love story of a socially unequal couple, harsh, wild, unabashed. He provokes with a passionate clash of liberating feelings and surviving conventions, with free expression contained in the text itself, its style and vocabulary.