Happily married for three years, Ann and David Smith live in New York. One morning Ann asks David if he had to do it over again, would he marry her? To her shock, he answers, "No". Later that day, they separately discover that, due to a legal complication, they are not legally married.

Convicts escaping from Devil's Island come under the influence of a strange Christ-like figure.

A fog-shrouded house provides the setting for a weekend party prank gone wrong and the resulting murder being blamed on an innocent man.

Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

Skin Deep is a 1929 American talking drama film directed by Ray Enright and starring Monte Blue. It was produced and distributed by the Warner Brothers. It was also released in the U.S. in a silent version for theaters not equipped yet with sound. The film is a remake of a 1922 Associated First National silent film of the same name directed by Lambert Hillyer and starring Milton Sills. All copies of this film are now lost. However, the Vitaphone soundtrack, of music and effects, survive.

Former bootlegger Remy Marco has a slight problem with foreclosing bankers, a prospective son-in-law, and four hard-to-explain corpses.

The town's leading citizen becomes a homicidal maniac after his wife deserts him.

A blundering rookie reporter runs into some unexpected difficulty when he is assigned to cover the police beat.

A girl who's just lost her job meets a drunk millionaire on a bridge who's just lost his money. They go back to his house, and eventually come up with a plan to benefit them both: he'll scrounge enough money together to teach her how to be a lady, and then introduce her to his rich friends so she can snag a husband, after which she'll pay him a finder's fee. Complications ensue.

It is the fate of a small frontier town, adjoining the no-man's-land where the Russians and Austrians are fighting out one of the final campaigns of World War I, to be occupied one day by the Russians, the next by the Austrians, and the inhabitants soon acquire a complacent view of the changing allegiances. To the town comes Ann Warschaska, intent on avenging the suicide of her sister, who has killed herself after being betrayed by an Austrian officer. She knows no more about his identity than the number of his room at the "Hotel Imperial".

Although Margaret and Julian Rolfe are deeply in love, Rolfe has a bit of a past. At one time he had befriended Clara Foster, a woman of the streets. When he discovers that his ward Phil Long is about to wed Clara, he tries to stop him. But he finds that Long and Clara have already married, so he heads back home. When Phil is found murdered, Rolfe is arrested and tried for the crime.

Two rival newspapers are engaged in a circulation battle, complicated by the fact that a vicious gangster inserts himself into the middle of it. Also complicating matters is that one newspaper's editor and circulation director are competing for the affections of a pretty blonde reporter.

When a rich young man marries, he lets the books and letters left him by his dead mother guide his life.

A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

Nan Carey ( Betty Compson ), a shoplifter, is caught by the police but acquitted through the influence of Lazare ( Lucien Littlefield ), a crooked lawyer, who places her with a gang of crooks. Posing as the Brockton family, they move to a seaside home, where they plan to steal the jewel collection of the Palmers, their neighbours. Nan wins the confidence of the family by flirting with Tom ( Kenneth Harlan ), who becomes infatuated and wants to go away with her, but she refuses him. Tom is caught red-handed in the Brockton mansion attempting to steal their jewels while Nan is making a success of the Palmer robbery.

A group of people are stuck on a schooner in the middle of the Pacific with no wind.

A jealous trapeze star decides he must eliminate his romantic rival.

Angela comes to Hollywood with only two things: Her dream to become a movie star, and Grandpa. She leaves an Aunt, a brother, Grandma, and her longtime boyfriend back in Centerville. Despite seeing major movie stars around every corner, and knocking on every casting office door in town, at the end of her first day she is still unemployed. To her horror, when she arrives back at their hotel, she finds that Grandpa has been cast in a movie by William DeMille and quickly becomes a star during the ensuing weeks. Her family, worried that Angela and Grandpa are getting into trouble, come to Hollywood to drag them back home. In short order Aunt, Grandma, brother, boyfriend and even the parrot become superstars, but Angela is still unemployed...

The House That Shadows Built (1931) is a short feature, roughly 48 minutes long, from Paramount Pictures made to celebrate the 20th anniversary of the studio's founding in 1912. It was a promotional film for exhibitors and never had a regular theatrical release and includes a brief history of Paramount, interviews with various actors, and clips from upcoming projects (some of which never came to fruition). The title comes from a biography of Paramount founder Adolph Zukor, The House That Shadows Built (1928), by William Henry Irwin.