Trooper 77 is a 1926 American silent serial directed by Duke Worne.

When Jim is released from prison, he returns to his Chinatown neighborhood determined to lead a virtuous life. While walking, he hears a woman's cries issuing from a house and enters to investigate. In her delirium, the dying woman mistakes Jim for her nephew and entrusts him to deliver a package to her daughter.

The Tornado mostly followed pulp Western formula -- bad guys hold up a town, take a girl hostage, and the hero rides to the rescue. But there were a couple of twists that made it seem more personal than the usual cowboy fare. Ford's Jack Dayton ... is known as "the No-Gun Man" because he faces the villains unarmed, anticipating the character played by James Stewart in George Marshall's 1939 Western comedy classic Destry Rides Again. Dayton is an immigrant who uses the reward money to bring over his mother (Jean Hathaway) from Ireland, a prototypically Fordian situation if there ever was one.

Restored by the George Eastman House in 2001, this 1928 serial was considered a “last hurrah” for the silent-era serial, and brought together some of the biggest names of the era: director J.P. McGowan, actors Francis Ford and Joe Bonomo (a carnival strongman-turned-actor), producer Trem Carr (who would later help found Monogram Pictures), and a slew of silent-era supporting icons such as Ruth Hiatt, Grace Cunard, and more. Chapter names like “The Clutching Claw,” “The Devil’s Dice, “Galloping Fury,” and “The Invisible Hand” offer all one needs to know of the film’s concerns: to promise and deliver as much action and suspense as possible, and move our intrepid hero and heroine from one perilous situation to another. One of the biggest stars of the early silent era and a successful serials director in his own right, Francis Ford was the brother of director John Ford.

When bandits capture the wife of a US army lieutenant stationed in the Philippines, along with her lover, the choice is his whether to forgive.

An Indian scholar seeks an American colleague who is working on a powerful explosive, trying to get to his formula by taking advantage of his drinking problem.

Cunard turns into The Queen of the Apaches, an outlaw who steals from the rich to gives to the poor, always leaving a purple mask behind as a trademark.

Though a spendthrift and a layabout, Lord Arthur Waring (J. Warren Kerrigan) is universally loved by his tenants. The same cannot be said for Arthur's half-brother Mark (Bertram Grassby), a tyrannical tightwad. Disowned by his family, Arthur finds himself strapped for cash when he promises to finance the operation of Helene von Gerald (Lois Wilson), whom he accidentally crippled in a riding mishap.

In 1857, Mary McLean leaves her sweetheart in the Scottish Highlands to teach school in India, where her father is a missionary. In India, the new Sepoy leader, Nana Sahib, sends his agent Azimooah to appeal to Queen Victoria to restore the pension given during his father's reign, but the Queen refuses because Nana Sahib is an adopted son. The infuriated Sepoys attack an English town and capture Mary and her father. After Nana Sahib adds Mary to his harem, she pretends to like him to learn information about his plans, which she passes on to British officers when she escapes.

Just before a big bout, Jimmie, a New York prize fighter, gets a lucky medal from his friend Billy. Herman Marlex, a chronic teller of tall tales informs Jimmie that the medal is really a royal one, worn by the infant Prince of Magonia when he was kidnapped years before. Then, on fight night, Jimmie is knocked senseless. On his way home, Magonian emissaries see him wearing the medal, and so haul him back to the "homeland." Despite his insisting that he is merely a boxer, Jimmie is hailed as the returning prince.

The friendship of Damon, the senator, and Pythias, the soldier, is famous in Ancient Syracuse.

Bored with the ranch, Buck's girl goes off to the city and gets involved (innocently) in a brothel. When Buck brings a herd of cattle to town, a streetwalker lures him to the house just in time for him to save his girl from Martin.

As a baby, John Ermine is stolen from a wagon train by the Crow Indians and is adopted by Chief Fire Bear. John grows to manhood, ignorant that he is a white man until his parentage is disclosed to him by Crooked Bear, a white hermit who is on friendly terms with the Crows. Crooked Bear teaches John the language and customs of the white man's civilization, impressing upon him that it is his sacred responsibility to keep peace between the white men and the Indians.

Jeanne La Roche lives alone with her brother in the great northwestern country. Jacques is a ne'er-do-well and has fallen under the suspicion of the mounted police, two of whom are dispatched to arrest him for robbery. The stolen goods are found in his home. Jeanne is too young to be left in their lonely cabin, so she is taken to the post, where the wife of the proprietor welcomes her and gives her a home. Several years later, Donald McLean wins her for his wife. Meantime Jacques escapes from prison, eludes his pursuers and takes refuge in McLean's home.

Awakened during the night by a thunderstorm, a young Parisian woman hears a violin playing in the house next door. The following morning, she becomes acquainted with Ellis, the musician, and they fall in love. The happiness of their subsequent marriage is brief, however. The wife begins frequenting the cabaret where Ellis is employed as a violinist, accompanied by one of her husband's friends, and she becomes disenchanted with her marriage. Learning of his wife's infidelity, Ellis attempts to jump into the Seine, but he is restrained by the police. He returns, insane, to the cabaret, where he discovers a secret door leading to a crypt. There he dwells among the bones, and time passes.

While waiting in a hotel lobby for instructions from his government, Ludwig Schumann, an agent of the Black Legion, is enchanted by Marion Washburn, the daughter of a Texas senator. As he is about to speak to the girl, Schumann is stunned to see a young American enter who could be his double. The American is James Walbert, whom Schumann's contact mistakes for the agent. The contact passes to Walbert a photograph of a woman spy, Wanda Bartell, whom the agent is to meet aboard a steamer. Walbert realizes the mistake and determines to protect his country.