In the early 1800s, Prussian geographer Alexander Von Humboldt and French botanist Aimé Bonpland launch an expedition to explore the Amazon region, including the Orinoco River, from Venezuela to the border of Portuguese Brazil.

Venezuelans remember the scene when the people deposed Governor and Captain Vicente Emparan, what few know is how this event happened. Artists reopen this episode to show what has never been heard of April 19, 1810

In 16th-century Spanish America, a Dominican friar named Santiago survives a brutal expedition and is absorbed into a Carib tribe. When he flees tribal conflict only to be captured by Spanish forces accused of heresy, he is forced to confront the clash between his ideals and the violence of conquest.

From absolute poverty to absolute power! "El Don" is the saga of a common man with uncommonly fierce ambition who rises to rule an empire of unspeakable evil only to discover that the love he thought he had forgotten still rules what is left of his heart.

During a bus ride through the Andes, two seminarians encounter with a woman named Manon. Immediately, one of them falls in love and the attraction is mutual, so they decide to flee to capital city to start a new life. But the love of Manon ambitious drags this man to leave his vocation and commit criminal acts to maintain a life of luxury and extravagance.

A small town in the central west of Venezuela. The year is 1978; Ramón, the only taxi driver in town, dedicates his free time to his only hobby: his shortwave radio. Door to the long and wide world, the radio, his hobby, is misunderstood by the other inhabitants of the town. Much more so when Ramón announces that he has established a friendship with the King of Spain. It is a short film by the Venezuelan director Carolina Vila, a production by the American Triternal Studios, the Venezuelan Xenon Films and the producer Pedro Mezquita, with financing from the National Autonomous Center of Cinematography, CNAC

In a tiny town in an unnamed Latin American country in the 1930s, a young telegraph operator helps link the small, repressed community to the outside world, against the will of the powerful colonel who rules the village like a dictator.

"Al Borde de la Línea" is the story of Claudia, a 16-year-old girl who works as a chambermaid in a rundown hotel where she is sexually abused by Rodriguez, the owner. She decides to escape with the help of her friend Alma, an older woman who is also a maid and Salvador, the driver of the morgue's van who is desperately in love with her. The night they have planned the escape, everything changes. Claudia runs away with Juan, a singer she met that day in the hotel's bar. Events unravel and bring them all back to the hotel "Crepúsculos de Venecia" a place of encounter, obsession, and betrayal. Their fate lies in Claudia's hands.

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

A group of thieves and outcasts are living in a big abandoned movie theater where they have created a very friendly and very particular universe. The police will use all its resources to violate their space, but again and again fail in their attempts.

In the wake of a banking crisis, four middle class friends throw a 'white glove' hold up, only to find out that their bank has already gone bankrupt.

Commissioner Leon (Miguel Angel Landa) investigates the murder of a woman in a population near the capital. The woman was raped before death and the case is complicated when his brother becomes the prime suspect, since it is a priest (Eduardo Serrano). Because of the implications that inquiries might have, Leon is pressured to keep the event as a "crab" (Cangrejo, or a unsolvable case), but he decides to comply with the law.

Devil Gold is director José Novoa's third collaboration with producer Elia Schneider, and like the previous two films, Huelepega (or Glue Sniffer, which Schneider directed in 2000) and Sicario (1994), the film is a thriller-melodrama that focuses on a real-life problem plaguing Venezuela, with an emphasis on how the conditions affect children. Thus, after a few titles explaining the impact that gold mining has had on the country's Amazon region, along with helicopter footage (later to be blended into the narrative) of the ecologically devastated area, the film settles in on the lawless shanty town of Payapal for its narrative. Gallego (Armando Gota) runs the mine, exploiting his cheap labor force. Aroldo (Pedro Lander) breaks into Gallego's safe and steals his gold, along with a good deal of gold that Gallego was holding for his workers. Aroldo involves the unwitting Carmen (Jenny Noguera) in the robbery, and, when they are discovered, he shoots and kills Gallego's young son.

The political leader Alberto Carnevali, secretly returns to his country to plot against the dictatorship of Marcos Perez Jimenez. The Intense subversive struggle brings the torture of many of his comrades.

In 1750, in the glare of the Caribbean, the man who created history known as the forerunner of independence in Venezuela. His name is Francisco de Miranda and, to be exact, is the largest globetrotter who has known the Americas, Miranda has a reputation as an inveterate wanderer, an eternal conspirator, a turncoat, a conqueror of nobles and courtiers, a lover of asylums, libraries, prisons and brothels, has written 63 volumes of his autobiography, a friend of princes, military and world-renowned artists, collector of women and unthinkable dreams, restless fugitive, owner of ten different names, and presented by the British press the moment as the future liberator of Spanish America.

The eternal dilemma of the creator and his relationships with the state, patronage, and society comprise this Ludovician triptych. The creator establishes a loving and committed relationship with his work. A relationship of obscurities pierced into the illuminated spaces of his conscience, which, beyond his creation, is enmeshed in all the vicissitudes of public life, in his constant appearance to exhibit himself and his work, another inescapable trap.