Carson's Law is an Australian television series made by Crawford Productions for the Ten Network between 1983-1984. The series was a period piece set in the 1920s and starred Lorraine Bayly as progressive solicitor Jennifer Carson. The episodes revolved around the cases taken on by Jennifer, and the various personal intrigues of her family. The series' premiere was billed as a 90-minute "movie-length" episode on 24 January 1983, with another two-hour episode in the same timeslot the following night, before settling into its twice-weekly 60-minute (with ads) format the following week. Carson's Law was noted for its quality scripts and period production values, however although the programme was very popular in Melbourne where the series was based and filmed, it did not succeed in Sydney. It was cancelled in 1984 after 184 episodes with the final episode airing on ATV-10 on 1 December 1984.

Alvin is your average guy, except for the fact women find him irresistible and chase him everywhere. He tries to avoid them and get psychiatric help but gets used by the psychiatrists as a gigolo to treat other patients instead.

Australian dockyard workers go on strike. Immigrant Italian workers are brought in as scab labour. In the midst of all this, an Italian woman meets & falls in love with one of the Australians.

A recording of the Australian Performing Group's performance of their first professional production season of Jack Hibberd's play "Dimboola" staged at the Pram Factory in Carlton, Melbourne, Victoria, Australia.

Businessman Gerald Barker is invited to join a mysterious super corporation known as The Firm. His work in the organisation turns out to be of a unique and somewhat disturbing nature. But Gerald finds no comfort with his wife Melissa and friend Barry - his relationships with both collapse. In a surreal and strange fashion, Gerald eventually comes to understand what The Firm is about. Made on a tiny budget of $15,000 the film is a mix of naturalism and stylisation which the filmmaker hoped would work on 'a simple, surrealistic level'.

A subjective view of a crisis in the life of a writer who calculates he has 2,000 weeks left in his life to fulfill himself.