Strangers is a 1978–82 ITV police procedural created and principally written by Murray Smith, based on characters created by Kenneth Royce in his novel series and subsequent 1977–78 television adaptation The XYY Man. Don Henderson and Dennis Blanch reprise their roles, respectively, of Detective Sergeant (DS) George Bulman and Detective Constable (DC) Derek Willis. A group of police officers are brought together from across the country to the north of England. There, the fact that they're not well-known gives them the advantage to infiltrate where a more familiar local detective could not. Despite being based around a comparatively small team of detectives, a regular feature in its early years is that few episodes feature the entire team, with most using just two or three regulars in any major role.

Stanley Kubrick's groundbreaking 2001: A Space Odyssey opened the door to all the films and filmmakers who followed it. Through interviews with directors such as George Lucas, Steven Spielberg and Sydney Pollack - as well as special effects professionals and cultural historians - this documentary examines the legacy of Kubrick's masterpiece and its influence on science fiction films, special effects and world cinema.

A look back on A Clockwork Orange

An overview of the making of, and a look at the continuing popularity of, Stanley Kubrick's The Shining.

This documentary about "2001: A Space Odyssey" looks at some of the things that seemed fanciful in 1968, which don't seem quite as much anymore.

A documentary featuring film historians, directors and authors discussing the making of Billy Wilder's "Double Indemnity."

In this documentary, we follow Stanley Kubrick as he creates one of the most controversial films of all time, one that retains its power to shock audiences, even after 35 years. At the time of its release, A Clockwork Orange created a firestorm of controversy. Through interviews with collaborators, filmmakers, screenwriters and authors, we come to appreciate Stanley Kubrick as an artist unafraid to take risks and court controversy, committed unwaveringly to his single-minded goal: the highest artistic quality of his films.

A look at the visual design of the film The Shining (1980).