Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work. Alone, his wife, Sarbojaya, looks after her rebellious daughter, Durga, and her young son, Apu, as well as Harihar's elderly aunt Indir. The children enjoy the small pleasures of their difficult life, while their parents suffer the daily indignities heaped upon them.

Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.

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Nilachaley Mahaprabhu was a 1957 Indian Bengali biographical film directed by Kartik Chattopadhyay, based on the life of 15th-century mystic Chaitanya Mahaprabhu, who started his spiritual journey and Hindu reform movement, part of the Bhakti movement during his years at Nilachal, the shrine of Jagannath at Puri. It stars Asim Kumar in the titular role with Dipti Roy, Sumitra Devi, Ahindra Choudhury, Bhanu Bandyopadhyay, Nripati Chattopadhyay and Chhabi Biswas in supporting roles.

Anu and Binay love each other and wish to get married but face opposition from her greedy uncle. They decide to elope but are caught and separated due to unforeseen circumstances.

Bikash never devotes enough time to his wife, Karuna. Soon, she begins to find solace in the company of her childhood friend, Ashok, destroying their marriage all the more.

Eldest brother brings up the orphaned brother single handed along with his (later) second wife's child-widow cousin. When they grow up and marry, the new wives break the family, will it rejoin? At what cost?

Bhupen is an excellent student who works as a private tutor to support his education and family. He begins to teach Sandhya who is a rich man's granddaughter. She ends up falling for him and that ruins his career, even though he did not feel the same for her. He later gets married to Kalyani but he and Sandhya still share a bond for the sake of her property.

A miser bequeaths his property to his two destitute nephews, provided they within a month marry girls who are well mannered, high family, beautiful and young (22-24 age) issue-less divorcees, divorced within 2 months of marriage.

Throughout her life, Supriya loved a man and was married to another man however she did not either escape from her responsibilities as a doting wife. However, her inner feelings keep tormenting her all her life and her married life becomes an utter failure. She not only ruins her life but everybody else's around her. In the end, her life becomes nothing more than fragmented pieces of broken images.

Ambernath a well-educated Sanskrit pundit was different from his childhood. The way he thought and described everything was quite different from others. His master Jagannath Tarka Churamoni loved him a lot and after his death, Ambernath took his place. In such a situation Bani the daughter of local zamindar and Ambernath met. After few days, they got married. Bani were very skeptical about her husband and they were not happy with their relation. Later Ambernath left his wife and stayed alone. In the meantime, Bani also understood the affection and love she had for her husband. She came to know about life and commitment. One day Bani heard that Ambernath was very ill and he stayed in a lonely place. Bani rushed there and put her every effort to make him healthy. Later they came to know each other and lived happily.

A 1954 Bengali Drama Film directed by Nirendranath Lahiri.

A run-of-the-mill girl.

Niren Lahiri directs this social-minded melodrama about the complicated relationship between a traditional Hindu family headed by Madhab Thakur (Choudhury) and their progressive next-door neighbor Mukherjee (Chhabi Biswas). Thakur's daughter, Malati (Sheila Haldar), and Mukherjee's son, Robi (Robin Majumdar), run a school teaching traditional Hindu values which they hope will become a countrywide franchise. Their planned nuptials are impeded when Malati's older sister is forced to marry a Brahmin against her will, resulting in a full-scale revolt in both households. Eventually, the rift is settled, the hero and heroine marry, and a sort of Hindu-laden modernity reigns in the two families.

A 1955 Bengali Drama Film directed by Sudhangshu Mukhopadhyay & written by Prabhabati Devi Saraswati.

A rich industrialist and womanizer, Nirendra, has a poor woman, Atashi, kidnapped. In the struggle, she loses her memory. Atashi recovers in Nirendra's care and the two begin to fall in love.

A naive Sanskrit poet, shunned for falling in love with a low-caste Indian woman, faces challenges after entering into a competition with a princess.

The movie revolves around the unwanted incidents that happened in the princely state of Ratnagarh. After the murder of King Chandrakanta, one Dr. Palit (Kamal Mitra) asked for help from one Detective Smarajit Sen (Sisir Batabyal), as a family friend. Detective Sen sent his assistant Bimal to Ratnagarh to investigate and ascertain the security of young Kumar Bahadur, a new predecessor of the royal family of the estate. They observed that a mysterious lady Manjusri (Manju De) sang an uncanny song in the adjacent water body near the palace. Mr. Gupta (Bikash Roy), a suspicious botanist who stayed in the neighborhood also roamed in that locality. It revealed that he was deprived of the real property of the royal family and took revenge by killing the members of the family. He used one deaf and dumb porter as a hired killer. Ultimately, he was killed by the detective at the end before he could commit another murder.

Sri Beniprasad, owner of "Model Drugs," discovers his workers’ grievances when he finds a bulletin circulated by them. Though his son Dilip is involved with the company, he advises his father to investigate independently. Taking on a disguise as a common laborer, Beni Prasad learns that his executives are dishonest and oppressive, even mistreating him. He is welcomed by Rammoy, a worker, and his family, where Jayanta, an enigmatic leader of the labor movement, regularly appears. During a secret meeting, Jayanta realizes Beni Prasad is undercover and orders his glasses broken, rendering him unable to see. Both Beni Prasad and Rammoy's daughter Reba question Jayanta’s true identity, which is revealed in a twist at the film's end.

The widower land-lord fixes his wayward step-brother's alliance with priest's daughter. Groom disappears on wedding day, and he is forced to marry her. The brother comes back and when the elder brother dies, tries to dispossess the widow.