Play depicts the world of love, promises not withstand the test of "green Feixianguan"; Fox tells ghost battle of wits, difficult to distinguish between good and evil "Phantom fox spirit"; vigilance ordinary people is a blessing of "land adventures sentence"; describes people, Saints love, never betray "Red flower drunk"; export intentioned rewarded "accidentally"; description Cizi Xiao mother, ethical affection "ghost mother loves her child"; Jiaobingbibai meaning of "demon Excalibur "; and savor the romance of" Kate chasing love "and so on.

The rebellious and free-spirited Li Lin and the introverted Wu Ai-hua are best friends who grow up together in the military dependents' village. However, they both fall in love with pilot He Kang, their mutual childhood friend. After He Kang is killed in a crash, the village only reminds the heartbroken girls of the tragedy. They escape to Taipei and work as hostess and accountant, earning a living from American soldiers on leave from Vietnam. The girls reunite with Michael, an American flight instructor, at the club. Michael ardently pursues Li Lin, but struggling to forget He Kang, Li Lin rejects Michael' s proposal. Having taken different paths, the two girls eventually return to their childhood village, reminiscing about the bonds of the past.

In 1949 when the Communist regime was established in China, the world-famed painter Ling Chen-kuang, believing his conviction for a new-born society had come true on his motherland, returned anxiously from the U.S., whither he had fled apprehension by lawmen when cracking down on rebellious activities he had actively engaged in out of cynicism and hostility – the feelings evolved from constant haunting by the memories of his childhood miserableness – to the then existing institutions in China. Alas, to his disillusion, the land he had so deeply loved, the society of which he had expected so much, should have turned out to be the hell on earth. Why? The enigma kept obsessing and puzzling him even to his dying moment.

Yang Hui-zhen, a mysterious princess on the run from corrupt government officials, is joined in her endeavors by skilled Buddhist monks and an unambitious painter named Gu Sheng-zhai.

China, year 1457. The Minister of Defense is executed, and his children are sentenced to exile by order of the tyrannical Tsao. Fearful of future revenge from the young people, Tsao sends cruel soldiers to murder them, but a brave group of swordsmen can change the course of the battle at the Dragon Inn.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

A young Taiwanese man after being released from prison starts his life as a gangster. He goes to Hong Kong to do some business with the Triads.

No synopsis available yet.

A martial-arts student learns the iron fist and death grip techniques to avenge his teacher's death.

Mi Wey is a local hero named after "Killer Meteors", his secret weapon which makes him invincible. However, when "Immortal" Wa Wu Bin, another powerful local character seeks his assistance, Killer Meteor will face the greatest and the deadliest challenge of his life.

No synopsis available yet.

The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city. Epic battle scenes employ hundreds of extras, and forest swordplay is reminiscent of House of Flying Daggers.

Tien Yua, most well known for being the bad guy in Wang Yu films, especially the One Armed Boxer is the good guy here. Frankie Wei is in it as his rival. This is a rare film.

A one-armed martial arts master is being stalked by an Imperial assassin, the master of two fighters killed in the previous film. When the One-Armed Boxer is invited to attend a martial arts tournament, his efforts to lay low are unsuccessful, and the assassin soon tracks him down with the help of his three subordinates: a Thai boxer, a yoga master, and a kobojutsu user.

Fantasy film from Taiwan, featuring the Chinese creation mythology of Pangu and Nüwa.

Filial daughter seeks revenge on father's killer. She must associate with dishonest people to finance her mission.

A master swordsman is on a twenty year quest to revenge the death of his parents.

Two swordsmen from separate sects band together to kill Ruthless Chi, head of another sect.But did he really die? Events show that the Ruthless killer stills controls the strings and its up to the swordsmen to reveal his true identity.

A Taiwanese production that was directed by Lee Tso-Nam and starring Chen Kuan-tai and Don Wong Tao.

In wake of the First Sino-Japanese War 1894-1895, a group of Japanese warlords calculate that the best way to prepare an invasion of the rest of China from their southern Manchuria staging ground.