Con man Ray is going after one last heist – a stash of rare coins – when his estranged son Timmy unexpectedly shows up. Ray is too preoccupied with his robbery to spend time with his son, so Timmy blackmails him into acting like a father, hiding the coins and promises to return them only after Ray takes him to amusement parks and baseball games.

Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.

Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s.

A documentary profile on Rumi Missabu, the iconoclast cofounder of San Francisco's infamous Cockettes. Through archive footage, animation and new interviews with stars from SF's queer art past, his lurid tales in and out of the spotlight are revealed as he reinvents himself at the end of his life.

A series of erotic vignettes and sexual imagery (mostly of the gay variety) are presented courtesy of The Cockettes (a gay/drag performance art ensemble of late 60s/early 70s San Francisco).

The world-famous Cockettes enact Tricia Nixon's wedding to Edward Cox on June 11, 1971. Hurtme O. Hurtme, television correspondent, covers the wedding and interviews celebrities in attendance such as Golda Meir, Indira Gandhi, Jacqueline Onassis, Queen Elizabeth, and Elizabeth Taylor. Coretta King sings. During the reception, Eartha Kitt puts LSD in the punch. All hell breaks loose.

Palace, the only known film made during an actual Cockettes performance, documents the backstage and onstage goings-on at the group’s only Halloween show, Les Ghouls.