After serving his military duty, Simo returns to his hometown. All day he rides his favourite horse Vihar and looks after the horses in the farm. Banov, the chairman of the cooperative farm, doesn't like Simo and wants to get rid of the horses, but Simo will not let this happen.

Rado, an orphan from a poor Sofia neighborhood, has been in and out of school for troubled youth for years. Although he is approaching adulthood, he is yet to finish 8th grade. He cannot reconcile his pride and sense of justice with the kind of education provided by people who are deprived of sensibility and human warmth. Rado asserts his right to freedom by frequently running away. During one of his escapes he meets the love of his life, Albena. She is a good student, and comes from a well-educated, sophisticated family. This new and unexpected connection intensifies Rado's desire for freedom and independence, and leads them both into uncharted territory.

Frivolous girl falls in love with a young construction worker. He trusts her and decides to include her in his team of workers. In the beginning, she is happy, but soon starts to feel the tensions between the people in the team. Hypocrisy and demagogy fill her with indignation and she does not keep silent about the shortcomings and mistakes of her colleagues. Gradually, her superiors become uneasy about her and the girl has to go. Her boyfriend offers her marriage, but she decides to take her own path and lead a worthy life. The movie was shot in 1966 but was censored by the communist government and released in theatres on 31st October 1988.

Impersonating a knight is one of the favorite games of nine-year-old protagonist. Now as Don Quixote, now as D'Artagnan he is fighting evil, he is searching for justice and defending the weak. Together with his friends, packed in cardboard armor, they play all day long. As he is playing, however, he unwittingly witnesses the relation between his parents and gradually comes to understand that the world of the adults is far removed from the canons of knightly honor. His parents love him, but never seem to find the time to listen to his concerns. The deceit, corruption and lack of respect in his own family alienate the small boy. The only adult, whom the boy trusts, is his uncle to whom he is attached by a genuine, equal, man-to-man friendship. He takes him to the cinema and theater performances and talks to him like with his peer. Will this sensitive kid ever succeed in building an internal armor against selfishness and rudeness?