Japanese home reform. Homes are chosen from viewers who write in explaining unique problems, like small space, broken or damaged home, no bathroom, no insulation, too old, not elderly friendly, etc. The show showcases some of the worst living conditions before, then goes through a reformation to modernize the home and meet the needs of the owners. Alias name is "Before After"

Hiroto Miyama is an unconventional young lawyer who dances to his own tune and gets a little obsessive. For one thing, he’s only interested in criminal cases, and he will never give up in his pursuit of the truth even if offers only a 0.1% chance of being discovered. Japan’s 99.9% criminal case conviction rate leads the world, attesting to a “highly reliable” judicial system. In other words, once a crime suspect is indicted, prosecutor arguments tend to be accepted hook, line and sinker. In the face of those 99.9% odds, there’s no money in being a defense lawyer specializing in criminal cases, but for Miyama, that’s where the interest and kernels of truth lie. From unexpected places, the mold-breaking Miyama stakes his reputation on a prayer of a chance as he clashes with hotshot lawyers who’ll go to any lengths to win in this gloriously fun, legal mystery.

They're comedians starring in a thrilling drama, but if their jokes don't land in the unscripted scenes, they're off the show. Let the mayhem begin!

When this happens though, she blacks out. Even in her day-to-day life, she can hear people's evil intentions and true colors and senses their lies and deception. That is why she always wears headphones in order to shut out people's emotions. She works well with her colleagues at the "Red Spider Lily" (Higanbana) unit, who are all brutally honest acid-tongued women with no qualms about speaking their minds. "Red Spider Lily" is an eclectic unit that includes a science geek, a single mom, and a woman who grew up abroad. Seen by many as a department that's been taken off the main career track, "Red Spider Lily" turns out to be full of fabulous detectives!

Ritsu Hayakawa, a college student lives in happiness together with his sweet family; younger brother, younger sister, and mother, Kyoko. Their smile and Mom’s rice omelet always make him happy. However, Kyoko has to be hospitalized for cancer. He goes back home in gloomy feeling and sees that his siblings, who don’t know about their mother’s disease, are excited about a pizza-to-go for dinner. Ritsu can’t stand to see them, so he runs away to kitchen, then he find a notebook that his mother wrote down her recipe. He notices how deeply Kyoko loves her family, and how important meals are, then he decides to prepare meal for them to maintain his family’s life. One day, Ritsu comes to know that he doesn’t related by blood with Kyoko. He is an adopted child. Ritsu goes to see his biological mother, Maya, then he sees Maya treating his biological brother, Ruka, cruelly. Then he becomes to want to help Ruka from his mother.

University student Wakamizu Ryota (Emoto Tokio), who is the middle of job hunting, gets caught up in a sudden gang dispute. Ryota’s life is saved by Yanagiba Ryuichi (Namase Katsuhisa), the boss of Yanagiba-gumi, and Ryota for some reason ends up harbouring Yanagiba in his own home. Ignoring Ryota who wants him to leave immediately, Yanagiba uses the leftover food in the fridge and starts to prepare a meal without asking. However, the meal is surprisingly delicious despite the leftovers that did not seem possible to combine. This is the beginning of a bizarre communal life connected by meals for a gangster and a university student.

Mio has long hidden her feelings for her childhood friend Arata. After an argument leaves their relationship uncertain, she sets out to reconcile with him but awakens in a mysterious version of Ikebukuro following an accident. Guided by unusual new companions, Mio searches for a way home while confronting the feelings and memories she has avoided.

Yuri Rintaro used to work as the chief of the First Investigation Division in Tokyo. Due to a case, he resigned from the police force and moved back to his hometown of Kyoto. Now, he works as a forensic psychologist in Kyoto. After receiving requests from the police, he helps them with their investigations. His investigation method involves careful observance of the crime scenes and he uses trace techniques learned from a hunter. He met that hunter in the Rocky Mountains, USA, during his school days. His assistant in Kyoto is Mitsugi Shunsuke. Mitsugi admires Yuri and runs the website "Yuri Rintaro no Jikenbo," which records Yuri's performance.

On board at the boat Kanikosen, where fish and crabs preserves, forced workers to work under miserable conditions, with minimum wages. Some can not cope with conditions and even death from malnutrition, and is also the supervisor of the more vicious variety. Shinjo, one of the employees, trying to convince the others that they will get good luck and fortune in his next life, and persuades them because they commit suicide to get there faster. It ends, however, in a single major failure. Rather than flee Shinjo being picked up by a Russian ship. Once there, he is overwhelmed by the social conditions that are completely different from those he has just left and decided therefore to return to Kanikosen to save their employees.

A woman was killed by a truck wheel, which flew off while the vehicle was in motion. As the freight company which owns the truck becomes the target of the public and the media’s wrath, Tokuro Akamatsu, the president of the freight company, realizes that a structural defect within the truck itself may have been to blame. A conspiracy of the wheel manufacturer's attempts to cover up a defective product is uncovered.

The third 'Front and Back' film.

Facing a whirlwind of emotions, comedians endure relentless insults from angry villagers. Can they turn hostility into laughter?

When the suspect of an arson case refuses to cooperate with the investigation, the detectives search his house and find a locked-up little girl. She doesn't talk and there are no clues to her identity, so assistant psychology professor Narumi Saku is asked to counsel her.

The fourth 'Front and Back' film.

The fifth 'Front and Back' film.

No synopsis available yet.

No synopsis available yet.

The final 'Front and Back' film.

No synopsis available yet.

The first 'Front and Back' film.