Just before he propelled the crime melodrama to new, macabre heights in The Unholy Three, Browning directed this partially lost morality tale pertaining to a different kind of horror: that of a middle-class family living beyond their means and falling prey to moneylenders. Produced by and starring Ruth Roland for FBO Studios, a small operation that later became RKO Pictures, Dollar Down follows Roland as the spendthrift daughter of a manufacturing firm’s general manager (Henry Walthall), who pawns a ring purchased on credit to throw an extravagant party and sends the family’s livelihood into a tailspin. Because its last reel completely disintegrated before it could be copied, the film remains an ultra-rare curio that nonetheless captures an important chapter in Browning’s career before his successful string of films made for MGM.

Blizzard, deranged from a childhood operation in which both his legs were needlessly amputated after an accident, becomes a vicious criminal, and eventually mob leader of the San Francisco underworld.

George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries Lord Alvanley. Brummel, broken-hearted, embarks upon a life of revelry.

A small-town businessman bumbles into blackmail and a real-estate swindle.

A society woman believes her husband is having an affair, a misconception which may have dire personal consequences for all involved.

Refusing to join his family in their new social life when Henry Dillingham suddenly becomes wealthy, Donald Dillingham causes even greater disapproval by marrying chorus girl Ardell Kendall. Learning that famous sculptor Gustaf Borgstrom wishes to use Ardell as model, the Dillinghams suddenly welcome Donald and Ardell to their estate. Donald surrenders to both the jazzy pleasures and the attentions of Maybelle Wescott, but Ardell remains aloof and in order to pay off Maybelle threatens Mr. Dillingham with exposure of his infatuation with a chorus girl.

Society-girl thrillseeker Lydia's fun comes to an end when she accidentally causes the death of motorcycle policeman.

Prince Alexis is the son of the king of a small European country. His duties, though fairly unimportant, nevertheless keep him so busy that he has no time for anything else. One day he meets and falls in love with a pretty young girl and wants to spend as much time with her as possible, but the royal advisers won't allow it, as it would take away from his duties. To make matters worse, his father dies and Alexis becomes king. Frustrated at his position and his inability to spend time with the woman he loves, he comes up with a novel plan to solve his problems.

A tailor tries to pass himself off in high society by wearing some of his rich customer's clothes.

When Mona Frentiss dies, she has her confidante "Doctor Bobs" watch over her family, especially her youngest daughter Patricia. The family has been raised in a most unconventional manner, with Mona having a much younger lover and the father Ralph keeping his own lover on the side. As Patricia grows older, she attracts the attention of her mother's former lover, the much older (than Patricia, who in the book is in her early to mid teens) Carey Scott. Patricia tempts fate with her wild ways, nearly loses her virtue to a musician aboard an ocean-going boat, and is saved in time by Carey. Realizing that he is the man for her, she settles down into an experimental marriage.

This rare John Ford silent is a charming, sweetly sentimental tale of the relationship between humans and animals told largely from the point of view of a racehorse who observes as her breeder (Henry B. Walthall) is forced to sell her when he loses everything in a poker game. Several of the era’s most famous racehorses make appearances, including the legendary champion thoroughbred Man o’ War.

Norma Talmadge plays a Mexican saloon singer, known as 'The Dove.' She is romanced by a young caballero and menaced by a Villa-like brute of a dictator, played by Noah Beery.

Stephen Lee doesn't want his nephew Wally Sanders to marry chorus girl Violet Dayne, because he believes all chorus girls to be ruthless gold diggers, always chasing after the men's money. Violet's friend Jerry La Mar decides to 'gold dig' Stephen, to show him what a nice and unselfish girl Violet is, but then she realizes that she's really in love with Stephen Lee....

The arrival of pretty Carol Milford in the staid Midwestern town of Gopher Prairie really shakes up the locals.

After discovering that her lover is already married, a young woman gets engaged to another man. However, her attempts to recover embarrassing love letters from her former lover lead to her being accused of murder when he is found dead.

The American consul in Zanzibar is informed that a fugitive American has just reached the African coast, and becomes suspicious of a newly arrived man from Boston, Massachusetts.

As a derelict paints the face of a girl on a barroom floor, the plot is developed in a series of flashbacks: Robert Stevens, an artist engaged to marry Marion, a society girl, becomes charmed with a fisherman's daughter who poses for him. The society girl's brother brings dishonor upon the fisherman's daughter, and when she commits suicide the artist shields the brother. Stevens is blamed by his fiancée, who terminates their engagement. The artist becomes a derelict and is wrongfully imprisoned. Eventually Stevens is exonerated and reunited with Marion.

An impoverished British lord (Paul Menford) impersonates a doctor in order to woo an ailing American heiress (Dorothy Adams). The lord is in it for love, but his business associate (Joe Diamond) smells money.

A young Irish immigrant gets a job as a conductor on a streetcar and fights off an attempt by crooks to take over the company, all the while pursuing the boss' beautiful daughter.

Silent version of the Franz Lehar operetta.