Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.

Arabela was a children's television series produced in Czechoslovakia which aired from 1979 to 1981. The series has 13 episodes and is in the Czech language.

In Vražda v hotelu Excelsior, the interwar period homicide detective squad from Prague investigates the murder of a wealthy woman, Mrs Matoušová, which threatens the reputation of the eponymous luxury hotel popular with Prague’s elite. Even the retired police inspector Mrázek (František Filipovský), who works at the Excelsior as a hotel detective, is unable to help at first. Although the investigation inevitably uncovers the hotel staff’s scheming, Vacátko and his team unerringly follow the trail that leads them to the murderer…

Sanitka was a Czech television, drama series, first broadcast in 1984 and eleven episodes were made. It starred Jaromír Hanzlík, Tomáš Juricka and Zlata Adamovská among others.

No synopsis available yet.

When famous detective Nick Carter visits Prague, he becomes involved in strange case of a missing dog and even stranger carnivorous plant. He becomes convinced that he is standing against his greatest enemy, the Gardener, who supposedly died years ago in a swamp...

After a colleague is murdered, insurance worker Kafka gets embroiled in an underground group who are attempting to thwart a secret organization that controls the major events in society.

No synopsis available yet.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

No synopsis available yet.

An historical depiction of the events preceding the political murder of Archduke Franz Ferdinand, would-be emperor of the Austro-Hungarian throne, in Sarajevo on June 28th, 1914.

A dramatic action film about stuntmen who perform the most dangerous stunts in the film world. One day, however, one of them is struck by a family tragedy in which his son dies. The man cannot overcome this tragedy and ends up in a psychiatric ward. Will he be able to return with the help of his friends?

Set in Prague during the years leading up to World War II, this family saga tells the story of a cobbler named Vincenc Bursik (Vladimir Mensik), who uproots his clan from the country to the city, only to suffer the loss of his wife and the failure of his shoe business within months. When his daughter moves away to go live with a wealthy businessman as his mistress, Vincenc is left to take care of his two sons, who spend their days in a secret garden vying for the affections of a teenage girl.

A fairy tale about how those who have a heart and are not stingy will not fail. The most popular hero of Czech fairy tales, besides the brave prince and the beautiful princess, is undoubtedly Honza, who is often not stupid at all, but on the contrary brave, clever, handsome and cheerful.

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

A sincere provincial young man, Frantisek Koudelka leaves to work in Prague. For the trip he buys a computer made horoscope with biorhythms charts, marked according to his date of birth, there are trappy, precarious, unsuccessful and even critical days and few successful days. The clumsy luckless person Frantisek has finally a guidance for his life.

In the morning twilight of Prague, the dead body of the safe-breaker Toufar is found floating on the river Vltava with a knife in his back. Police inspectors visit Toufar's lover, the prostitute Anna Kulatá (Jirina Bohdalová), nicknamed Umbrella, and it is apparent that the moment before she opened the door of her flat, someone fled through the window. Umbrella is summoned for examination to the head of the criminal police - Police Councilman Vacátko Jaroslav Marvan, but although shocked by the photograph of the dead man, she does not confess to anything. Before Toufar, Umbrella lived with the safe-breaker Penicka (Radoslav Brzobohatý), who loved her very much and made her quit her street trade. But when he was sentenced to three years' imprisonment, Umbrella began to live with the brute Toufar, who chased her to street again. In the case of the murder, Penicka is therefore the prime suspect.

Set over a two-decade period in a tiny Central European village, this drama not only chronicles a couple's tragic star-crossed love, it also serves as a metaphor for the tragedy of lost traditions. After opening in the snowy wilds as two people spectacularly die, the story jumps back 20 years as young Verona prepares to marry. Unfortunately, voracious wolves descend upon the ceremony and all but Verona and her courageous 10-year-old brother-in-law Goran, who saves her, perish. That day, Verona gives birth to Veronika and promptly betroths her daughter to the heroic Goran. A decade passes and on Veronika's 10th birthday, her engagement to Goran is formally announced at a big party. Festivities halt when a troupe of female circus performers and their sly employer Madina show up. Veronika soon finds herself more interested in Madina's young son Michal than she is in the adult Goran. Meanwhile, the worldly Madina attempts to adjust to life in an old-fashioned village.

Biography of the life of Guillaume Apollinaire.

A broadly drawn ideological epic set in the summer of 1947 in the borderlands of northern Bohemia: reactionary elements plot to undermine postwar social change while committed local communists struggle to organize workers and defend the emerging order. The narrative follows several archetypal figures—steadfast party activists, wary peasants, and obstructive reactionaries—whose clashes illustrate the claimed inevitability of working-class victory under communist leadership.