A boy and his eccentric parents leave their home in Paris for a country house in Spain. As the mother descends deeper into her own mind, it's up to the boy and his father to keep her safe and happy.

Julien and Marguerite de Ravalet, son and daughter of the Lord of Tourlaville, have loved each other tenderly since childhood. But as they grow up, their affection veers toward voracious passion.

Éléonore Berthier, 34 years old, keeps living as a teenager, collecting odd jobs and one night stands. Following a burnout, her mother and sister decide to take action to help her make a fresh start.

In pursuit of ghosts and evil spirits, director Maria Pinto reinvents the paternity suit brought by Joao, her father, against the Dentist in Salazar's Portugal. A cross between fact and fiction, a celebration of family memory.

Moving comes with major challenges. While the father has gone half mad trying to rearrange furniture from the Caracas villa into a Paris flat, Josefina is dealing with other troubles. A tragic sex call confirms her breakup with her girlfriend, and parental love has shrunk to ensuring the proper French pronunciation. The only thing that can cap off the deadpan humor and bittersweet bizarre scenes is the croaking of hundreds of frogs.

I Who Fooled the Good God