Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.

British superstar composer Andrew Lloyd Webber is feted in this 50th birthday benefit gala produced by Lloyd Webber's own theatrical company at London's historic Royal Albert Hall. The tribute includes highlights from Lloyd Webber's blockbuster stage hits, including The Phantom of the Opera, Cats, Evita, and Sunset Boulevard. An eclectic performing cast filmed live during the event features Tina Arena, Michael Ball, Antonio Banderas, Boyzone, Sarah Brightman, Glenn Close, Julian Lloyd Webber, Marcus Lovett, Lottie Mayor, Dennis O'Neill, Donny Osmond, Elaine Paige, Ray Shell, Kiri Te Kanawa, and Bonnie Tyler

Cheryl Studer, in the title role, leads an excellent cast in Elijah Moshinsky's 1994 production of Verdi's extravagant and magnificent Egyptian opera. Aida was acclaimed at its first performance in 1871 and has grown in stature ever since to become one of the best-loved and most performed grand operas of all time.

1989 recording of the San Francisco Opera production of Mefistofele: Boito's retelling of Goethe's Faust

Live performance, new production season 1984-5. BBC 2 Television relay on 30 March 1985 of performance of February 11.

Macbeth" was Giuseppe Verdi's first attempt at music drama and also the first manifestation of his profound love for Shakespeare's work. Verdi took great pains with this opera, displaying special enthusiasm for it as he concentrated on the main characters of Lady Macbeth, Macbeth and the witches. This recording of Luca Ronconi's production is conducted by Giuseppe Sinopoli, who brings fresh color to Verdi's score. The cast, headed by Renato Bruson and Mara Zampieri, are strongly supported by a fine-toned and adaptable chorus who ably meet the demands of Verdi's great "chorus opera.

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